Search for dissertations about: "Experimental Philosophy"

Showing result 1 - 5 of 55 swedish dissertations containing the words Experimental Philosophy.

  1. 1. Of Affliction : The Experience of Thought in Gilles Deleuze by way of Marcel Proust

    Author : Johan Sehlberg; Sven-Olov Wallenstein; Ingemar Haag; Catarina Pombo Nabais; Södertörns högskola; []
    Keywords : HUMANIORA; HUMANITIES; Gilles Deleuze; Marcel Proust; Plato; thinking; experience; affliction; temporality; essence; literature; apprenticeship; pathology; Kritisk kulturteori; Critical and Cultural Theory;

    Abstract : The aim of the present thesis is to explicate the experience of thought corresponding to the critical undertaking characteristic of Gilles Deleuze’s philosophy between Nietzsche and Philosophy (1962) and Difference and Repetition (1968), from within the conjunction of Deleuze’s Proust and Signs (1964) and Marcel Proust’s In Search of Lost Time (1913-1927). The importance of Proust for the development of Deleuze’s two major themes at the time, the overturning of Platonism and transcendental empiricism, has generally not been sufficiently recognised and investigated in Deleuze scholarship. READ MORE

  2. 2. Scientifically Minded : Science, the Subject and Kant’s Critical Philosophy

    Author : Johan Boberg; Sharon Rider; Marcel Quarfood; Thomas Sturm; Uppsala universitet; []
    Keywords : HUMANIORA; HUMANITIES; Immanuel Kant; the subject; science; experience; understanding; episteme; time; space; spatialization of time; epistemic ideals; knowledge; Christian Wolff; Aristotle; Filosofi; Philosophy;

    Abstract : Modern philosophy is often seen as characterized by a shift of focus from the things themselves to our knowledge of them, i.e., by a turn to the subject and subjectivity. READ MORE

  3. 3. Participating in a Story: Exploring Audience Cognition

    Author : Pierre Gander; Kognitionsvetenskap; []
    Keywords : HUMANIORA; HUMANITIES; memory; cognition; comprehension; Lingvistik; Psychology; Filosofi; Philosophy; computer games; interactive media; perspective; memory qualities; spatial cognition; fiction; narrative; cognitive science; linguistics; Psykologi; Applied and experimental psychology; Tillämpad och experimentell psykologi;

    Abstract : Stories that the audience can influence (such as computer games and other interactive multimedia), in contrast to 'traditional' stories (such as books and cinema), present a challenge to fields which take narrative (story) as their study object. What is the difference between these two kinds of stories? Earlier theories have focused on differences in media, structure, or the audience's physical actions. READ MORE

  4. 4. PROTOTYPING PLATEAU GEHRY_CONNECTIVES : Reading Frank Gehry’s experiments through Deleuze and Guattari

    Author : Pawel Szychalski; Tillfälligt anställda; []
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Gehry; Deleuze; architecture; philosophy; diagram; architectural design process; rhizome; painting; architectural design action; virtual;

    Abstract : This thesis attempts to describe and interpret the design practice of an American architect, Frank O. Gehry through concepts developed by French philosopher Gilles Deleuze and his collaborator, French psychotherapist, philosopher and activist, Félix Guattari. READ MORE

  5. 5. Suriashi as Experimental Pilgrimage in Urban and Other Spaces

    Author : Ami Skånberg Dahlstedt; Göteborgs universitet; []
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Suriashi; Slow Walking; Gendered Walking; Japanese dance; Nihon Buyō; Postmodern dance; Japanese theatre; Nō theatre; Practice-led research; Artistic research; Intercultural dance; pilgrimage; critical heritage; screendance;

    Abstract : This practice-led PhD-thesis draws on an existing Japanese movement practice called suriashi, which translates as sliding foot. Suriashi is a specific gender codified walking technique in classical Japanese dance and theatre, and an important method for acting on stage. READ MORE