Search for dissertations about: "Film Production"

Showing result 1 - 5 of 186 swedish dissertations containing the words Film Production.

  1. 1. Beyond Cut and Join : Expanding the Creative Role of Film Editing

    Author : Kersti Grunditz Brennan; Juliette Mapp; Karen Pearlman; Ilona Hongisto; Stockholms konstnärliga högskola; []
    Keywords : HUMANIORA; HUMANITIES; Film editing; character; collaboration; filmmaking; artistic research; creative practice research; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.;

    Abstract : The research project Beyond Cut and Join – Expanding the creative role of film editing comes out of two major observations over decades of professional film editing experience: that a lot of film editing’s potential is untapped in filmmaking, especially in relation to character creation; and that editors’ skills, influence and authorial participation often are misunderstood and undervalued. Through editing practice and writing, this research explores an expanded role of editing by asking: 1. READ MORE

  2. 2. Extracting versatility : Films commissioned by the mining industry in postwar Sweden

    Author : Ole Johnny Fossås; Marina Dahlquist; Bo Florin; Zoë Druick; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; film history; swedish film; sponsored film; industrial film; useful cinema; mining; Sápmi; non-theatrical film; public service television; film distribution; the Swedish Film Institute; Radio Sweden; documentary film; film policy; filmhistoria; beställningsfilm; svensk film; industrifilm; informationsfilm; Sápmi; gruvindustrin; Svenska Filminstitutet; Sveriges Radio; Cinema Studies; filmvetenskap;

    Abstract : This study investigates how films commissioned by Swedish mining companies were employed for institutional use between 1945 and 1965. A central aspect of what gave these films their versatility stems from circumstances that allowed commissioned texts to pass as non-partisan audiovisual aids, as educational and informative instruments and as occasional examples of film art through intermediaries. READ MORE

  3. 3. Jill Bilcock : Revealing the Invisible Artist. Recognising the creative contributions of film editors to filmmaking through biographical documentary film

    Author : Axel Grigor; Patricia FitzSimons; Nico Meissner; Joanna Callaghan; Kath Dooley; Högskolan Dalarna; []
    Keywords : HUMANIORA; HUMANITIES; Film Editing; Film Editor; Film Production; Filmmaking; Motion Pictures; Motion Picture Editing; Documentary; Film Art; Film History; Biography; Jill Bilcock; Australia; Hollywood; Filmklippning; Filmklippare; Filmproduktion; Film; Filmkonst; Dokumentärfilm; Biografi; Jill Bilcock; Australien; Hollywood;

    Abstract : Film editing is recognised as the conceptual innovation that, at the dawn of the twentieth century, helped transform the novelty of moving images into cinema. Despite this acknowledgment, misconceptions about the art form linger. READ MORE

  4. 4. Locating Inter-Scandinavian Silent Film Culture : Connections, Contentions, Configurations

    Author : Anne Bachmann; Jan Olsson; Mark Sandberg; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; film history; silent film; Scandinavia; transnational film; film discourse; location; censorship; film adaptation; Cinema Studies; filmvetenskap;

    Abstract : The thesis revisits film and film-culture history in Sweden, Denmark and Norway with a view to discourses and practices of the inter- and trans-Scandinavian in the silent era. Excluding the earliest films, but including the transition to synchronised sound, it covers the period of the 1900s to 1930 with emphasis on the 1910s and 1920s. READ MORE

  5. 5. Sisters! Making Films, Doing Politics : An Exploration in Artistic Research

    Author : Petra Bauer; Konstfack; []
    Keywords : HUMANIORA; HUMANITIES; Aesthetics; Art; Artistic Research; Berwick Street Film Collecitve; Camera; Cinema Action; Claire Johnston; Collectivity; Documentary Film; Ethics; feminism; film; Film Collectives; Film Production; Film Strategies; Hannah Arendt; Judith Butler; London Women’s Film Group; Political Action; Public Space; Relationality; Southall Black Sisters; Aesthetics; Art; Artistic Research; Berwick Street Film Collecitve; Camera; Cinema Action; Claire Johnston; Collectivity; Documentary Film; Ethics; feminism; film; Film Collectives; Film Production; Film Strategies; Hannah Arendt; Judith Butler; London Women’s Film Group; Political Action; Public Space; Relationality; Southall Black Sisters;

    Abstract : How does film become a political act? That is the question that the artistic research project Sisters! Making Films, Doing Politics revolves around. Taking Hannah Arendt’s ideas about the constitution of the political arena as its point of departure, this dissertation reflects on the aesthetic mechanisms that underlie contemporary strategies for collective and feminist filmmaking. READ MORE