Search for dissertations about: "Nineteenth-Century Art"
Showing result 1 - 5 of 15 swedish dissertations containing the words Nineteenth-Century Art.
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1. Up the Stylish Staircase : Situating the Fürstenberg Gallery and Art Collection in a Late Nineteenth-Century Swedish Art World
Abstract : This dissertation investigates the establishment (in 1885), the influence, the critical reception, and the legacy of the Fürstenberg Gallery and Art Collection in Gothenburg, Sweden. The aim of this research is to demonstrate how the gallery and the collection were products and producers of specific art-historical situations, within a particular nineteenth-century Swedish art world. READ MORE
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2. Colonizing Fever : Race and Media Cultures in Late Nineteenth-Century Sweden
Abstract : The dissertation focuses on visual representations of the colonial world in late nineteenth-century Sweden. Situated at the intersection between postcolonial studies, visual culture studies and cultural histories of media, the study has a threefold aim. READ MORE
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3. Becoming Artists : Self-Portraits, Friendship Images and Studio Scenes by Nordic Women Painters in the 1880s
Abstract : The aim of this dissertation is to analyze how Nordic women artists negotiated their professional identity in painting in the 1880s, focusing on the genres of the self-portrait, the friendship image and the studio interior. It investigates how artistic identity is fashioned through self-representation, collaboration with a colleague and in interaction with the interior of the studio as a constitutive space of artistic professionalism. READ MORE
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4. Making in Context : Reconsidering Anders Zorn's Oil Painting Practice
Abstract : Anders Zorn is one of the most well-known Swedish artists of the late nineteenth century. Born 1860 in the Dalecarlian town of Mora, the artist’s works were renowned and sought-after during his lifetime, both at home and abroad. READ MORE
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5. Grez-sur-Loing revisited. The international artists' colony in a different light
Abstract : This thesis examines the rural artists’ colony in Grez-sur-Loing and its art from the heyday of the community, 1875–1885, when artists from North America, England, Scotland, Ireland, and Scandinavia were gathering in the French village. The international community has hitherto been viewed separately along national or linguistic lines. READ MORE