Search for dissertations about: "artistic practice"
Showing result 1 - 5 of 133 swedish dissertations containing the words artistic practice.
-
1. Beyond Cut and Join : Expanding the Creative Role of Film Editing
Abstract : The research project Beyond Cut and Join – Expanding the creative role of film editing comes out of two major observations over decades of professional film editing experience: that a lot of film editing’s potential is untapped in filmmaking, especially in relation to character creation; and that editors’ skills, influence and authorial participation often are misunderstood and undervalued. Through editing practice and writing, this research explores an expanded role of editing by asking: 1. READ MORE
-
2. Moving through Choreography – Curating Choreography as an Artistic Practice
Abstract : The purpose of the artistic research, Moving through Choreography – Curating Choreography as an Artistic Practice, has been to consider choreography and curating in their similarities and differences. Thus, at different phases of the working process, choreography and curating were treated as one and the same artistic practice; while, in other moments, as practices that are distinct from each other. READ MORE
-
3. See and Seen : Seeing Landscape through Artistic Practice
Abstract : The point of departure for See and Seen text, website and exhibition) is the conventions of the Ideal Landscapes painted in Rome during the 17th century by artists such as Claude Lorrain and Nicolas Poussin. In 18th century England this translated into a particular gaze that became the fashion for how, and the parameters within which, the landscape was to be seen and that subsequently gave rise to landscaped parks, poetry and painting, and consequently had a significant role in shaping theories of the Picturesque. READ MORE
-
4. SHUT UP 'N' PLAY! Negotiating the Musical Work
Abstract : 'SHUT UP ’N’ PLAY! Negotiating the Musical Work’ is a piece of artistic research that attempts to merge artistic practice, qualitative research methods and critical analysis in a project concerned with contemporary performance practices, and specifically how these practices are created and transmitted in the interaction between composer and performer. By way of a critical reading of the musico-philosophical discussion of the ontology of the musical work and by way of a deconstruction of the concept of musical interpretation I propose a model in which the identity of the musical work is analysed as the result of interaction between multiple agents: composer, performer, instrument, score and electronics, among others. READ MORE
-
5. Upscaling, Training, Commoning
Abstract : When on September 15, 2008 the financial conglomerate Lehman Brothers files for bankruptcy – and with that ‘officially’ sparks the international financial crisis – still few would anticipate the invasive effect this crisis would come to have on the professional and personal life of many across the world. Today, it’s implosion remains a mere ‘blip’ in the universe of events that followed. READ MORE
