Search for dissertations about: "sound object"

Showing result 1 - 5 of 37 swedish dissertations containing the words sound object.

  1. 1. Textile Sound Design

    Author : Margareta Zetterblom; Högskolan i Borås; []
    Keywords : HUMANIORA; HUMANITIES; textile design; sound effect; sound object; design; sound; Textil design; Textiles and Fashion General ; Textil och mode generell ;

    Abstract : The thesis aims at developing conceptual and methodological tools in order to adapt sound in a “designerly” way within the discipline textile design. Occupational groups working with sound are to a large extent problem driven. READ MORE

  2. 2. Textile Sound Design

    Author : Margareta Zetterblom; Chalmers tekniska högskola; []
    Keywords : TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; NATURVETENSKAP; NATURAL SCIENCES; The Cresson Institute; Textile design; acoustics; phenomenography; sound environment; sound absorbing textiles; Pierre Schaeffer; phenomenology; interactive textile design; textile sound design;

    Abstract : There are a number of ways to describe the aesthetical expression of a textile, but how is it possible to express its sound affecting qualities? This thesis aims at developing conceptual and methodological tools in order to adapt sound within the textile design area. Occupational groups working with sound are to a large extent problem driven. READ MORE

  3. 3. Drum sound from floor coverings - objective and subjective assessment

    Author : Ann-Charlotte Johansson; Teknisk akustik; []
    Keywords : TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; vakuumteknik; vibrationer; akustik; hydraulik; Maskinteknik; vacuum technology; vibration and acoustic engineering; hydraulics; acoustic standard; Mechanical engineering; tapping machine; veneer flooring; parquet flooring; binaural recording; foot impact; loudness; sound quality; listening test; paired comparisons; walking sound; drum sound; building acoustics; psychoacoustics; laminate flooring;

    Abstract : Drum sound is the sound produced when an object, such as a foot, hits the flooring in the room in which the receiving ear is located. Drum sound has attracted interest in recent years, particularly due to an increased use of thin floating floor constructions, such as veneer or laminate flooring, which can produce loud and sharp walking sound. READ MORE

  4. 4. Reproducing Languages, Translating Bodies : Approaches to Speech, Translation and Cultural Identity in Early European Sound Film

    Author : Anna Sofia Rossholm; Jan Olsson; Thomas Elsaesser; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; Sound Theory; Translation; Intermediality; Film Speech; European Cinema; Writing in Film; Stardom; Transition to Sound; Film and Theatre; Film; Filmvetenskap;

    Abstract : This study discusses and analyses recorded/filmed speech, translation, and cultural identity in film discourses in early European sound film. The purpose is to frame these issues from a number of theoretical perspectives in order to highlight relations between media, speech and translation. The points of departure are 1. READ MORE

  5. 5. Kripke on Necessity : A Metaphysical Investigation

    Author : Kyriakos Theodoridis; Teoretisk filosofi; []
    Keywords : HUMANIORA; HUMANITIES; ethics; Systematic philosophy; conceivability; mereological identity; ontological character; identity; possible worlds; actuality; properties; ontology; object; contingency; apriori; Metaphysical; epistemic; aesthetics; metaphysics; epistemology; ideology; Systematisk filosofi; etik; estetik; metafysik; kunskapsteori; ideologi; Philosophical logic; Filosofisk logik; logik;

    Abstract : I undertake a metaphysical investigation of Saul Kripke's modern classic, Naming and Necessity (1980). The general problem of my study may be expressed as follows: What is the metaphysical justification of the validity and existence of the pertinent classes of truths, the necessary a posteriori and the contingent a priori, according to the Kripke Paradigm? My approach is meant to disclose the logical and ontological principles underlying Kripke's arguments for the necessary a posteriori and the contingent a priori respectively. READ MORE