Search for dissertations about: "works exhibition"

Showing result 1 - 5 of 22 swedish dissertations containing the words works exhibition.

  2. 1. Remembering and Forgetting in the Archive : Instituting ‘Group Material’ (1979–1996)

    Author : Julie Ault; Konsthögskolan i Malmö; []
    Keywords : HUMANIORA; HUMANITIES; timeline; time frame; retrospective; Felix Gonzalez-Torres; recollection; alternative arts network; AIDS Timeline; publishing; microhistory; interpretation; instituting; archive; archiving; Corita; book as exhibition; chronicle; collaboration; chronology; collective memory; contextualization; curating; ephemeral art practices; exhibition making; exhibition pedagogy; Group Material; historical representation; history writing; historicization;

    Abstract : My PhD submission is made up of a constellation of three elements that form a body of textual material / theory and practice event / exhibition. (1) A dimension of critical writing or dissertation that has two parts: (a) Retrospective / Prospective: Activating the Archive, September 1, 2010, and (b) an accretion of further analysis, Archive, Archived, Archiving, September 1, 2011. READ MORE

  4. 2. Moving through Choreography – Curating Choreography as an Artistic Practice

    Author : Marie Fahlin; André Lepecki; Cristina Caprioli; Joanna Sandell; Stockholms konstnärliga högskola; []
    Keywords : HUMANIORA; HUMANITIES; Choreography; curating; dressage; centaur; centauring; exhibition; exhibitor; articulation; affect; transposition; composition; transcarnation; touch; tack; aids; terminology; ‘found practice’; ‘found choreography’; expanded choreography; one; oneness; manège; poetry; intimacy; listening; entanglement; embodiment; discursivity; diagram; performing; preforming; Utbildning på forskarnivå i performativa och mediala praktiker; Third-Cycle Studies in Performative and Mediated Practices;

    Abstract : The purpose of the artistic research, Moving through Choreography – Curating Choreography as an Artistic Practice, has been to consider choreography and curating in their similarities and differences. Thus, at different phases of the working process, choreography and curating were treated as one and the same artistic practice; while, in other moments, as practices that are distinct from each other. READ MORE

  5. 3. Exhibition-Making and Political Imaginary : On Modalities and Potentialities of Curatorial Practice

    Author : Simon Sheikh; Konsthögskolan i Malmö; []
    Keywords : HUMANIORA; HUMANITIES; Exhibition-Making; politics; contemporary art; horizons; institution; articulation; critique; curating;

    Abstract : The Ph.D. project concerns itself with curatorial practice, its constituent modalities and potentialities. It consists of both a practical and a theoretical part. READ MORE

  6. 4. In The Making : Traversing the project exhibition In the Desert of Modernity: Colonial Planning and After

    Author : Marion von Osten; Konsthögskolan i Malmö; []
    Keywords : HUMANIORA; HUMANITIES; Colonial planning; Anti-colonial resistance; Decoloniality; Parainstitutional practice; Art and politics;

    Abstract : The principal aim of my PhD research is to think through practices involved in the making of In the Desert of Modernity. Colonial Planning and After (Berlin 2008, Casablanca 2009), that constituted as well as traversed the exhibitions and went beyond. READ MORE

  7. 5. Up the Stylish Staircase : Situating the Fürstenberg Gallery and Art Collection in a Late Nineteenth-Century Swedish Art World

    Author : Charlotta Nordström; Tomas Björk; Maria Görts; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; The Fürstenberg Gallery; The Fürstenberg Art Collection; Pontus Fürstenberg; Göthilda Fürstenberg; Gothenburg art ; Swedish Art; Nineteenth-Century Art; Patronage; Art Collection; The Opponents; Collecting Practices; Exhibition Practices; Blanch’s Art Salon; konstvetenskap; Art History;

    Abstract : This dissertation investigates the establishment (in 1885), the influence, the critical reception, and the legacy of the Fürstenberg Gallery and Art Collection in Gothenburg, Sweden. The aim of this research is to demonstrate how the gallery and the collection were products and producers of specific art-historical situations, within a particular nineteenth-century Swedish art world. READ MORE