Search for dissertations about: "‘language choreography’"
Showing result 1 - 5 of
8 swedish dissertations containing the words ‘language choreography’.
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Author : Ingvartsen Mette; Maria Lind; Bojana Cvejic; Adrian Heathfield; Stockholms konstnärliga högskola; []
Keywords : HUMANIORA; HUMANITIES; material agency; vibrant matter; sensorial participation; sensorial problems; immersive stage environments; color perception; nonhuman choreography; actants; the Anthropocene; non-subjective performativity; ecology; catastrophe; technological extensions of the body; the triple image; animate inanimate; expression; action; production of affect; evaporation; dissolution and dispersion; poetics; expanded choreography; Sexuality; sexual liberation; the performance history of the 1960s; protest and politics; ‘language choreography’; orality; storytelling; pornography; affect and economy; expression and liberty; immaterial labor; self-experimentation; dance; ‘soft choreography ; social choreography; Koreografi; Dans; Konstnärlig forskning; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts; material agency; vibrant matter; sensorial participation; sensorial problems; immersive stage environments; color perception; nonhuman choreography; actants; the Anthropocene; non-subjective performativity; ecology; catastrophe; technological extensions of the body; the triple image; animate inanimate; expression; action; production of affect; evaporation; dissolution and dispersion; poetics; expanded choreography; Sexuality; sexual liberation; the performance history of the 1960s; protest and politics; ‘language choreography’; orality; storytelling; pornography; affect and economy; expression and liberty; immaterial labor; self-experimentation; dance; ‘soft choreography ; social choreography;
Abstract :
Through two books and a series of video documentations of live performances Mette Ingvartsen makes choreography into a territory of physical, artistic and social experimentation. The Artificial Nature Series focusses on how relations between human and non-human agency can be explored and reconfigured through choreography. READ MORE
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Author : Eleanor Bauer; Juliet Mapp; Chrysa Parkinson; Martin Hargreaves; Stockholms konstnärliga högskola; []
Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; dance; choreography; writing; dancing-thinking; dancing-writing; media specificity; artistic research; enactive cognition; aesthetic thought; sensual journalism; splace; modybind; Utbildning på forskarnivå i performativa och mediala praktiker; Third-Cycle Studies in Performative and Mediated Practices;
Abstract :
The doctoral project choreo | graphy is an inquiry into the relationship between thinking through dance and thinking through written language, taking the notion of choreography literally as dancing-writing. Respecting that different media afford different thought processes, ideas, and concepts to be reached, this practice-based artistic research project has unfolded within artistic processes and experiments to explore and develop the relationship between dancing-thinking and writing-thinking. READ MORE
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Author : Anne Juren; André Lepecki; Sandra Noeth; Victoria Perez Royo; Stockholms konstnärliga högskola; []
Keywords : HUMANIORA; HUMANITIES; Choreography; Feldenkrais Method®; anatomy; fantasmical; speculative gestures; somatic practices; dislocation; dissection; dissociation; treatment; operation; fragmentation; blind gaze; non-expression; dance; movement; language; poetry; voice; touch; Foley; psychoanalysis; crisis; encounter; critical awareness; sensorial transference; co-regulation; body proxy; trans-interiority; symptom; practitioner; patient; session; lesson; L’Effet-Mère; mother tongue; very too close; very too far; diffraction; dérive drift ; Utbildning på forskarnivå i performativa och mediala praktiker; Third-Cycle Studies in Performative and Mediated Practices;
Abstract :
Studies on Fantasmical Anatomies is an ongoing transdisciplinary artistic research, which encompasses the spectrum of experiences and practices that I have developed as a choreographer, dancer and Feldenkrais practitioner. My interest in anatomy and somatic practices grew out of multiple shoulder dislocations. READ MORE
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Author : Alfred Theorin; Institutionen för reglerteknik; []
Keywords : TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; Grafchart; service oriented architecture; event-driven architecture; flexible production systems; industry 4.0; real-time; FMI; PID;
Abstract :
Current market trends for industrial automation are the need for customizable production, shorter time to market, and powerful global competitive pressure. Based on these trends two challenges have been identified: 1) flexible production systems and 2) integration and utilization of devices and software. READ MORE
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Author : Malin Arnell; Anna Koch; Hanna Hallgren; Teresa Maria Diaz Nerio; Stockholms konstnärliga högskola; []
Keywords : HUMANIORA; HUMANITIES; duration space-time-language matter ; knowledge production tacit; embodied; experiential ; performance art body art; live art; happenings ; choreography diffractive methods and techniques ; performativity human and non-human agentiality ; embodiment vulnerability; intimacy; force; power ; participation mutual co-constitutiveness ; invitation contractual engagement and accountability ; environment void; fullness ; embodied affinities human and more-than-human ; orientation; posthumanities; agential realism; feminism; artistic research; expositional strategies; enactment re-enactments ; live dissertation through live act ion s ; documentation affective; embodied ; Hannah Arendt; Karen Barad; Gina Pane; YES! Association Föreningen JA!; Duration; Koreografi; Kunskapsproduktion; Performativ konst; Förkroppsligande; Delaktighet; Invitation; Konstnärlig forskning...; Performativa och mediala praktiker; Performative and media based practices; duration space-time-language matter ; knowledge production tacit; embodied; experiential ; performance art body art; live art; happenings ; choreography diffractive methods and techniques ; performativity human and non-human agentiality ; embodiment vulnerability; intimacy; force; power ; participation mutual co-constitutiveness ; invitation contractual engagement and accountability ; environment void; fullness ; embodied affinities human and more-than-human ; orientation; posthumanities; agential realism; feminism; artistic research; expositional strategies; enactment re-enactments ; live dissertation through live act ion s ; documentation affective; embodied ; Hannah Arendt; Karen Barad; Gina Pane; YES! Association Föreningen JA!;
Abstract :
If we are being-of-the-world, how can we ever avoid participation? From this question Avhandling / Av_handling (Dissertation / Through_ action) unfolds. It invites to engage in an ongoing continuum of entanglements, where the moment of connection is unavoidable. READ MORE
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