Search for dissertations about: "Cinema Studies"

Showing result 6 - 10 of 50 swedish dissertations containing the words Cinema Studies.

  1. 6. The Coming of Sound Film in Sweden 1928-1932 : New and Old Technologies

    Author : Christopher Natzén; Maaret Koskinen; Bo Florin; Kevin Donnelly; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; coming of sound film; formative music; cinema in the 1920s; Sweden; intermediality; cinema musicians; Svensk Filmindustri; trade press; cinema as event; internal logic of perception; external logic of perception; advertisement; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Abstract : This dissertation examines the coming of sound film in Sweden during the years 1928–1932, and the reception of mechanically recorded sounds both in the trade press and among audiences. The novelty of sound film opened up for a negotiation of the perception of sound and image, as it made visible the film medium’s technological construction, before this visibility was once more absorbed by the cinematic discourse. READ MORE

  2. 7. Out of Site : Landscape and Cultural Reflexivity in New Hollywood Cinema 1969-1974

    Author : Henrik Gustafsson; Astrid Söderbergh Widding; Asbjørn Grønstad; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; cultural identity; film analysis; film and nation; genre revisionism; intermediality; landscape in art; landscape in cinema; New Hollywood; new realism; nostalgia film; reflexivity; road movies; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Abstract : This dissertation examines landscape as a concept for analysis and interpretation in film studies by considering the New Hollywood cinema in the late 1960s and early 1970s. Contextualized within the contested notion of nationhood at the time as well as the concern among filmmakers to probe the properties, practices and traditions of American cinema, this was also a period when landscape underwent widespread redefinition as a field of artistic and academic practice. READ MORE

  3. 8. Electronic Labyrinths : An Archaeology of Videographic Cinema

    Author : Jonathan Rozenkrantz; Trond Lundemo; Malin Wahlberg; Patricia Pisters; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; videographic cinema; video images in films; media archaeology; imaginary media; media imaginaries; live television drama; video therapy; video surveillance; video art; reality TV; mediated memories; media history; YouTube; retro; analogue nostalgia; filmvetenskap; Cinema Studies;

    Abstract : This study scans six decades of film history in search for video images, the imaginaries within which they are framed, and (taking cues from the archaeological methods of Friedrich Kittler and Michel Foucault) their technical, historical, and institutional conditions of existence. The British experimental science fiction film Anti-Clock (Jane Arden and Jack Bond, 1979) revolves around a video device with the capacity to confront subjects with their own repressed memory images. READ MORE

  4. 9. Picturing Dissolving Views : August Strindberg and the Visual Media of His Age

    Author : Vreni Hockenjos; Astrid Söderbergh-Widding; Stephan Michael Schröder; Sara Danius; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; August Strindberg; media history; 1870–1912; visual culture; media in literature; Sweden; early cinema; magic lantern; panorama; instantaneous photography; graphic reproduction; theatre; science; perception; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Abstract : The subject of this study is August Strindberg’s interaction with the visual media of his day. Its dual aim is to examine Strindberg’s work in the light of media history and to allow Strindberg’s work in turn to illuminate the media history of the fin de siècle. READ MORE

  5. 10. A Post-genomic Forensic Crime Drama : CSI: Crime Scene Investigation as Cultural Forum on Science

    Author : Sofia Bull; Anu Koivunen; Karen Lury; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; CSI; television studies; television history; genre; crime drama; forensic science; representation of science; post-genomic; genetic imaginary; cultural forum; structure of feeling; materiality; complexity; identity; body; kinship; affect; filmvetenskap; Cinema Studies;

    Abstract : This thesis examines how the first 10 seasons of CSI: Crime Scene Investigation (CBS, 2000–) engage with discourses on science. Investigating CSI’s representation of scientific practices and knowledge, it explicitly attempts to look beyond the generic assumption that forensic crime dramas simply ‘celebrate’ science. READ MORE