Search for dissertations about: "Corde"

Found 2 swedish dissertations containing the word Corde.

  2. 1. On the control of virtual violins : Physical modelling and control of bowed string instruments

    Author : Matthias Demoucron; Anders Askenfelt; Rene Causse; Benoit Fabre; Marcelo Wanderley; KTH; []
    Keywords : NATURVETENSKAP; NATURAL SCIENCES; NATURVETENSKAP; NATURAL SCIENCES; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; Bowed string; physical modelling; sound synthesis; performance control; violin playing; Corde frottée; modélisation physique; synthèse sonore; contrôle gestuel; violon; Struken sträng; fysikalisk modellering; ljudsyntes; musikutförande; violinspel; Other physics; Övrig fysik; Computer science; Datavetenskap; Acoustics; Akustik;

    Abstract :   This thesis treats the control of sound synthesis of bowed string instruments based on physical modelling. The work followed two approaches: (a) a systematic exploration of the influence of control parameters (bow force, bow velocity, and bow-bridge distance) on the output of a physical model of the violin, and (b) measurements and analyses of the bowing parameters in real violin playing in order to model and parameterize basic classes of bowing patterns for synthesis control. READ MORE

  4. 2. SHUT UP 'N' PLAY! Negotiating the Musical Work

    Author : Stefan Östersjö; Musikhögskolan i Malmö; []
    Keywords : HUMANIORA; HUMANITIES; Contemporary art music; Collaboration; Musical performance; Methodology; Artistic research; Ontology; Music philosophy; Musical work; Musical interpretation; Performance practice;

    Abstract : 'SHUT UP ’N’ PLAY! Negotiating the Musical Work’ is a piece of artistic research that attempts to merge artistic practice, qualitative research methods and critical analysis in a project concerned with contemporary performance practices, and specifically how these practices are created and transmitted in the interaction between composer and performer. By way of a critical reading of the musico-philosophical discussion of the ontology of the musical work and by way of a deconstruction of the concept of musical interpretation I propose a model in which the identity of the musical work is analysed as the result of interaction between multiple agents: composer, performer, instrument, score and electronics, among others. READ MORE