Search for dissertations about: "Humaniora Konst Filmvetenskap"

Showing result 21 - 25 of 47 swedish dissertations containing the words Humaniora Konst Filmvetenskap.

2. 21. Gallery Experience : Viewers, Screens and the Space In-Between in Contemporary Installation Art

   Author : Olivia Eriksson; Malin Wahlberg; Anu Koivunen; Ilona Hongisto; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; gallery film; film installation; artists film; archival art; film experience; film phenomenology; embodied experience; relational aesthetics; participation; site specificity; Olafur Eliasson; Fiona Tan; Akram Zaatari; Richard Mosse; Jesper Just; filmvetenskap; Cinema Studies;

   Abstract : This dissertation explores gallery experience as an embodied and site-specific occurrence. Using an interdisciplinary approach that bridges art historical research with film theoretical perspectives, it offers contextualized, in-depth analyses of a limited number of contemporary installation works exhibited in Scandinavia during 2014–2016. READ MORE

4. 22. Extracting versatility : Films commissioned by the mining industry in postwar Sweden

   Author : Ole Johnny Fossås; Marina Dahlquist; Bo Florin; Zoë Druick; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; film history; swedish film; sponsored film; industrial film; useful cinema; mining; Sápmi; non-theatrical film; public service television; film distribution; the Swedish Film Institute; Radio Sweden; documentary film; film policy; filmhistoria; beställningsfilm; svensk film; industrifilm; informationsfilm; Sápmi; gruvindustrin; Svenska Filminstitutet; Sveriges Radio; Cinema Studies; filmvetenskap;

   Abstract : This study investigates how films commissioned by Swedish mining companies were employed for institutional use between 1945 and 1965. A central aspect of what gave these films their versatility stems from circumstances that allowed commissioned texts to pass as non-partisan audiovisual aids, as educational and informative instruments and as occasional examples of film art through intermediaries. READ MORE

5. 23. Early Discourses on Colour and Cinema : Origins, Functions, Meanings

   Author : Eirik Frisvold Hanssen; Astrid Söderbergh Widding; Eva Jørholt; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; colour film; film history; film theory; film technology; film aesthetics; indexicality; intermediality; colour and sound; catalogue; Kinemacolor; Sergei M. Eisenstein; Film; Filmvetenskap;

   Abstract : This dissertation is a historical and theoretical study of a number of discourses examining colour and cinema during the period 1909 to 1935 (trade press, film reviews, publications on film technology, manuals, catalogues and theoretical texts from the era). In this study, colour in cinema is considered as producing a number of aesthetic and representational questions which are contextualised historically; problems and qualities specifically associated with colour film are examined in terms of an interrelationship between historical, technical, industrial, and stylistic factors, as well as specific contemporary conceptions of cinema. READ MORE

6. 24. Aesthetic Experiences of Presence : Case Studies in Film Exhibition, 1896-1898

   Author : Gert Jan Harkema; Jan Olsson; John Fullerton; Tom Gunning; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; Film history; media history; early cinema; film experience; 19th century; aesthetics; presence; intermediality; phenomenology; the Netherlands; Chicago; modernity; fairground; vaudeville; Aladdin; Henri Grünkorn; filmvetenskap; Cinema Studies;

   Abstract : This study investigates viewing experiences that came with the introduction of cinema. Merging (film) history with aesthetic theory, this dissertation entails historically informed theoretical reconstructions of viewing experiences between 1896 and 1898. READ MORE

7. 25. Chinatown Film Culture : The Appearance of Cinema in San Francisco’s Chinese Neighborhood, 1906-1915

   Author : Kim Khavar Fahlstedt; Jan Olsson; Gregory Waller; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; Film history; early cinema; local film history; Chinese-American history; transnational cinema; orientalism; urban studies; San Francisco; Chinatown; Sid Grauman; filmvetenskap; Cinema Studies;

   Abstract : This study investigates film culture in San Francisco's Chinatown between the years 1906 and 1915. While Chinatowns have figured in several studies of representation in classical Hollywood cinema, it has rarely been approached as a place where film culture actually happened. READ MORE