Search for dissertations about: "Konstnärlig forskning..."

Showing result 1 - 5 of 7 swedish dissertations containing the words Konstnärlig forskning....

  1. 1. Avhandling / Av_handling (Dissertation / Through_action)

    University dissertation from Stockholm : Stockholm konstnärliga högskola

    Author : Malin Arnell; Anna Koch; Hanna Hallgren; Teresa Maria Diaz Nerio; [2016]
    Keywords : HUMANIORA; HUMANITIES; duration space-time-language matter ; knowledge production tacit; embodied; experiential ; performance art body art; live art; happenings ; choreography diffractive methods and techniques ; performativity human and non-human agentiality ; embodiment vulnerability; intimacy; force; power ; participation mutual co-constitutiveness ; invitation contractual engagement and accountability ; environment void; fullness ; embodied affinities human and more-than-human ; orientation; posthumanities; agential realism; feminism; artistic research; expositional strategies; enactment re-enactments ; live dissertation through live act ion s ; documentation affective; embodied ; Hannah Arendt; Karen Barad; Gina Pane; YES! Association Föreningen JA!; Duration; Koreografi; Kunskapsproduktion; Performativ konst; Förkroppsligande; Delaktighet; Invitation; Konstnärlig forskning...; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Abstract : If we are being-of-the-world, how can we ever avoid participation? From this question Avhandling / Av_handling (Dissertation / Through_ action) unfolds. It invites to engage in an ongoing continuum of entanglements, where the moment of connection is unavoidable. READ MORE

  2. 2. EXPANDED CHOREOGRAPHY Shifting the agency of movement in The Artificial Nature Project and 69 positions

    University dissertation from Stockholm : Stockholms konstnärliga högskola

    Author : Mette Invartsen; Maria Lind; Bojana Cvejic; Adrian Heathfield; [2016]
    Keywords : HUMANIORA; HUMANITIES; material agency; vibrant matter; sensorial participation; sensorial problems; immersive stage environments; color perception; nonhuman choreography; actants; the Anthropocene; non-subjective performativity; ecology; catastrophe; technological extensions of the body; the triple image; animate inanimate; expression; action; production of affect; evaporation; dissolution and dispersion; poetics; expanded choreography; Sexuality; sexual liberation; the performance history of the 1960s; protest and politics; ‘language choreography’; orality; storytelling; pornography; affect and economy; expression and liberty; immaterial labor; self-experimentation; dance; ‘soft choreography ; social choreography; Koreografi; Dans; Konstnärlig forskning; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Abstract : Through two books and a series of video documentations of live performances Mette Ingvartsen makes choreography into a territory of physical, artistic and social experimentation. The Artificial Nature Series focusses on how relations between human and non-human agency can be explored and reconfigured through choreography. READ MORE

  3. 3. From Model to Module: A move towards generative choreography

    University dissertation from Stockholm : KTH Royal Institute of Technology

    Author : Rasmus Ölme; Leif Dahlberg; Chrysa Parkinson; André Lepecki; [2014]
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; choreography; module; artistic research; dance technique; Koreografi; Konstnärlig forskning; dansteknik; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Abstract : The thesis engages in Choreography and Dance Technique by delineating the concepts and practices that the artistic research project MODUL has generated. A modular method of choreographing is articulated. The MODUL method of choreography starts by making a topographical movement analysis of the context that the work engages with. READ MORE

  4. 4. Fauxthentication Art Academia and Authorship (or the site-specifics of the Academic Artist)

    University dissertation from Stockholm : Stockholms konstnärliga högskola

    Author : Bogdan Szyber; André Lepecki; Nina Bondeson; Barbara Browning; [2020]
    Keywords : HUMANIORA; HUMANITIES; Economy of labour; digital economy; digital workforce; exploitation; globalisation; the organisational politics of academia; systemic structures of power; edu-art; edu-art-ism; artistic research; critical production; institutional critique; critical intervention; site-specific.; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Abstract : Fauxthentication– Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.It explores the factors that constitute its value system, who or what can produce these signs of value, and for what reasons. READ MORE

  5. 5. (Un)bearable freedom Exploring the becoming of the artist in education, work and family life

    University dissertation from Linköping : Linköping University Electronic Press

    Author : Sofia Lindström; Erling Bjurström; Marita Flisbäck; Stephanie Taylor; [2016]
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Cultural work; visual artists; subjectivity; discourse analysis; narrative analysis; Konstnärligt arbete; bildkonstnärer; subjektivitet; diskursanalys; narrativ analys;

    Abstract : The aim of this dissertation is to explore and understand three important social contexts for the becoming of an artistic subjectivity: education, work and family life. The empirical data consist of interview material with alumni from the Royal Institute of Art in Stockholm, staff of the institute, and a survey material from the Swedish National Artists Organization (KRO/KIF). READ MORE