Search for dissertations about: "Lars M. Andersson"
Showing result 1 - 5 of 8 swedish dissertations containing the words Lars M. Andersson.
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1. A Mention to Those not Mentioned : Yizkor Books and Holocaust Memory 1943–2008
Abstract : Yizkor books are communal memorial books commemorating Jewish communities destroyed in the Holocaust, produced as a result of communal activity. This study analyses the production and function of Yizkor books. READ MORE
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2. "I wanted to know how this deed was done" : Raul Hilberg, the Holocaust and History
Abstract : Raul Hilberg was a pioneer of Holocaust studies and for many decades the Holocaust scholar par excellence. He embarked upon the study of the Nazi genocide after the war, and established the understanding of the Holocaust as a bureaucratically administered “destruction process,” carried out by men who were not different from the German population in general. READ MORE
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3. Dispersion Coating for Active Food Packaging: Aroma Interactions and Oxygen Scavenging
Abstract : ABSTRACTActive packaging materials prolong the shelf life or preserve the quality of packed food by absorbing oxygen, ethylene, moisture or odours, or by releasing antimicrobial agents, antioxidants or flavours. In dispersion coating, a latex is applied onto paper or paperboard to form a barrier film against water, water vapour, oil or gases. READ MORE
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4. Yellow Stars and Trouser Inspections : Jewish Testimonies from Hungary, 1920–1945
Abstract : This study analyzes narratives of individual Jewish experiences of discrimination and genocidal violence in Hungary during the period of 1920–1945. The aim is to increase our knowledge and understanding of the events through an investigation of survivor testimonies concerning anti-Jewish laws and the Holocaust. READ MORE
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5. Tradition and Modernity : Images of Jews in Latvian Novels 1934 – 1944
Abstract : Jews have been represented in Latvian literature for centuries. This dissertation investigates the images of Jews in a comprehensive selection of Latvian novels published between 1934–1944 in order to establish whether, and to what extent, the traditional images are subject to change under the pressure of modernity, nationalism and a rapidly changing political situation. READ MORE