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Showing result 1 - 5 of 6 swedish dissertations matching the above criteria.

  1. 1. The book and its narratives : a critical examination of some synchronic studies of the book of Judges

    Author : Greger Andersson; Lars-Åke Skalin; Göran Eidevall; Örebro universitet; []
    Keywords : HUMANIORA; HUMANITIES; Domarboken; narratologi; Literature; Litteraturvetenskap; Litteraturvetenskap; Literature;

    Abstract : During recent decades, there has been a trend among biblical scholars towards applying methods borrowed from literary studies to the familiar texts of the Old and New Testaments. A major reason for this reorientation is the search for a meaningful and interpretable text; hence, it can be seen as a protest against the historical-critical school and its ambition to reconstruct an authentic text by means of a diachronic analysis. READ MORE

  2. 2. The written and the unwritten world of Philip Roth : fiction, nonfiction, and borderline aesthetics in the Roth books

    Author : Roger Edholm; Lars-Åke Skalin; Greger Anderson; Magnus Ullén; Örebro universitet; []
    Keywords : HUMANIORA; HUMANITIES; Philip Roth; Fiction; Nonfiction; Borderline Aesthetics; Narrative Theory; Autobiography; Authorship; Referentiality; Literature; Identity; Counterfacts; Ethics; Litteraturvetenskap; Literature;

    Abstract : This thesis examines five books by the American author Philip Roth commonly referred to as the “Roth Books,” which are The Facts: A Novelist’s Autobiography(1988), Deception (1990), Patrimony: A True Story (1991), Operation Shylock: A Confession (1993), and The Plot Against America (2004). These books, held together by the author’s proper name, are often viewed as texts that conflate fiction and nonfiction or demonstrate the “fictionality” of all factual narrative accounts in compliance with well-known postmodernist and poststructuralist theories. READ MORE

  3. 3. Moral Philosophy and Novel Writing as Aspects of a Single Struggle : Iris Murdoch’s Hybrid Novels

    Author : Anna Victoria Hallberg; Lars-Åke Skalin; Beata Agrell; Anniken Greve; Örebro universitet; []
    Keywords : HUMANIORA; HUMANITIES; Iris Murdoch; hybrid novel; philosophical novel; morality; viva-voce; epiphany; plot; ;

    Abstract : This investigation pursues a thesis, namely that moral philosopher and novelist Iris Murdoch was a writer of hybrid novels. Murdoch’s novels are hybrid constructions where she tries to make reflections on moral intuitions discernible and experienced within the novels’ own “system”. READ MORE

  4. 4. Novel writing and moral philosophy as aspects of a single struggle : Iris Murdoch's hybrid novels

    Author : Anna Victoria Hallberg; Lars-Åke Skalin; Beata Agrell; Anniken Greve; Örebro universitet; []
    Keywords : HUMANIORA; HUMANITIES; Iris Murdoch; hybrid novel; philosophical novel; morality; viva-voce; epiphany; plot; Plato; Wittgenstein; HUMANITIES and RELIGION; HUMANIORA och RELIGIONSVETENSKAP; Literature; Litteraturvetenskap; Litteraturvetenskap; Literature;

    Abstract : This investigation pursues a thesis, namely that moral philosopher and novelist Iris Murdoch was a writer of hybrid novels. Murdoch’s novels are hybrid constructions where she tries to make reflections on moral intuitions discernible and experienced within the novels’ own “system”. READ MORE

  5. 5. The mold of writing : style and structure in Strindberg's chamber plays

    Author : Erik van Ooijen; Lars-Åke Skalin; Ola Holmgren; Örebro universitet; []
    Keywords : HUMANIORA; HUMANITIES; August Strindberg; chamber play; literary form; writing; focus; ruin as form; simulation; speed; weed as form; Literature; Litteraturvetenskap; HUMANITIES and RELIGION; HUMANIORA och RELIGIONSVETENSKAP; Aesthetic subjects; Estetiska ämnen; Litteraturvetenskap; Literature;

    Abstract : The thesis examines the five plays published by August Strindberg under the label of Chamber Plays: Stormy Weather, The Burned Lot, The Ghost Sonata, The Pelican (all 1907), and The Black Glove (1909). It takes its point of departure in a particular aspect of Strindberg’s way of writing as he actually describes it himself: during the act of deliberate composing, a productive fever tends to emerge bringing an element of chance to the work. READ MORE