Search for dissertations about: "Lied"
Found 4 swedish dissertations containing the word Lied.
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1. Enthusiasm, Contemplation, and Romantic Longing : Reconsidering Schubert's Sectional Songs in the Light of Historical Context
Abstract : In twentieth-century music scholarship, those of Franz Schubert’s songs from the 1810s that form sectional musical structures have normally been presented as being unfortunately dependent on aesthetically disparaged eighteenth-century models. Authors have often treated these songs succinctly, preferring instead to invest their energy in the “masterworks” of Schubert’s later years. READ MORE
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2. Shaping the nation with song : Johann Friedrich Reichardt and the German cultural identity
Abstract : The primary aim of this dissertation is to study the nationalistic worldview as it emerged in the German lands in the second half of the eighteenth century . The research focuses on how this influenced the artistic practices of Prussian composer, writer and court Kapellmeister Johann Friedrich Reichardt (1752–1814), and likewise how Reichardt’s activities influenced and formed this field. READ MORE
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3. Water and Carbon Balance Modeling: Methods of Uncertainty Analysis
Abstract : How do additional data of the same and/or different type contribute to reducing model parameter and predictive uncertainties? This was the question addressed with two models – the HBV hydrological water balance model and the ICBM soil carbon balance model – that were used to investigate the usefulness of the Generalized Likelihood Uncertainty Estimation (GLUE) method for calibrations and uncertainty analyses. The GLUE method is based on threshold screening of Monte Carlo simulations using so-called informal likelihood measures and subjective acceptance criterion. READ MORE
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4. Singing in Action : An inquiry into the creative working processes and practices of classical and contemporary vocal improvisation
Abstract : This dissertation explores performative perspectives on classical and contemporary vocal improvisation (CCVI) as a critical, creative tool for development of and research in vocal performance. It consists of one introductory part and five articles, with additional documentation on a homepage. READ MORE
