Search for dissertations about: "Media Representation"

Showing result 21 - 25 of 110 swedish dissertations containing the words Media Representation.

  1. 21. Accommodating differences : Power, belonging, and representation online

    Author : Karin Hansson; Love Ekenberg; Ina Wagner; Stockholms universitet; []
    Keywords : SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; e-participation; e-democracy; online identity; artistic research; visual method; participatory method; belonging; singularity; performative states; Computer and Systems Sciences; data- och systemvetenskap;

    Abstract : How can political participatory processes online be understood in the dynamic, conflicted and highly mediated situations of contemporary society? What does democracy mean in a scenario where inequality and difference are the norms, and where people tend to abandon situations in which they and their interests are not recognized? How can we accommodate differences rather than consensus in a scenario where multiple networks of people are the starting point rather than a single community?In this thesis, these questions are explored through an iterative process in two studies that have used or resulted in three prototypes and one art exhibition. The first study is of communication practices in a global interest community, which resulted in two prototypes: Actory, a groupware that takes differences rather than equality as the starting point for a collaborative tool, and The Affect Machine, a social network where differences are used as a relational capital. READ MORE

  2. 22. Bending mainstream definitions of sport, gender and ability : Representations of wheelchair racers

    Author : Kim Wickman; Eva Olofsson; Ulla Johansson; Jorid Hovden; Umeå universitet; []
    Keywords : MEDICIN OCH HÄLSOVETENSKAP; MEDICAL AND HEALTH SCIENCES; able-ism; disability; discourse; gender; identity; representation; sports media; Paralympics; wheelchair racing; Sports; Idrott;

    Abstract : Inspired by feminist post-structural thinking and with a discourse analytic approach, this study’s main theme is gendered identity, disability and sport. It consists of four separate, but interrelated, empirical studies and focuses on two research questions. READ MORE

  3. 23. Picturing Dissolving Views : August Strindberg and the Visual Media of His Age

    Author : Vreni Hockenjos; Astrid Söderbergh-Widding; Stephan Michael Schröder; Sara Danius; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; August Strindberg; media history; 1870–1912; visual culture; media in literature; Sweden; early cinema; magic lantern; panorama; instantaneous photography; graphic reproduction; theatre; science; perception; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Abstract : The subject of this study is August Strindberg’s interaction with the visual media of his day. Its dual aim is to examine Strindberg’s work in the light of media history and to allow Strindberg’s work in turn to illuminate the media history of the fin de siècle. READ MORE

  4. 24. The semiotic function : studies in children's representations

    Author : Maare Tamm; Umeå universitet; []
    Keywords : SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Piaget; Semiotic function; Mental representation Figurative; Operative; Representation media;

    Abstract : The main purpose of this thesis was to explore if there existed one single underlying semiotic function for representation. The problem was examined from both a theoretical and an empirical point of view. READ MORE

  5. 25. Losing the plot : architecture and narrativity in fin-de siècle media cultures

    Author : Malin Zimm; Katja Grillner; Jennifer Blommer; KTH; []
    Keywords : TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; Architecture; architecture theory; narrativity; virtuality; virtual reality; spatiality; plot; architectural representation; fiction; plotless; 19th century media culture; Architecture; Arkitektur;

    Abstract : This thesis investigates the role of the term plot in mediating relations between architecture and narrativity. Examining organisational strategies in the creation of real and virtual spaces, it identifies literary works by novelists who have resisted, or subverted, plot conventions in fiction (Joris-Karl Huysmans, Edmond de Goncourt, Xavier de Maistre and Neal Stephenson), and introduces architectural spaces such as Thomas Edison’s film-studio Black Maria, and the plotless productions of early cinematography, to juxtapose concepts of plot and spatiality in a study of the production and consumption of pre-digital virtual spaces. READ MORE