Search for dissertations about: "Music Performance."

Showing result 1 - 5 of 95 swedish dissertations containing the words Music Performance..

  1. 1. Modeling Music : Studies of Music Transcription, Music Perception and Music Production

    Author : Anders Elowsson; Anders Friberg; Pawel Herman; Anders Askenfelt; Gerhard Widmer; KTH; []
    Keywords : NATURVETENSKAP; NATURAL SCIENCES; NATURVETENSKAP; NATURAL SCIENCES; NATURVETENSKAP; NATURAL SCIENCES; Music Information Retrieval; MIR; Music; Music Transcription; Music Perception; Music Production; Tempo Estimation; Beat Tracking; Polyphonic Pitch Tracking; Polyphonic Transcription; Music Speed; Music Dynamics; Long-time average spectrum; LTAS; Algorithmic Composition; Deep Layered Learning; Convolutional Neural Networks; Rhythm Tracking; Ensemble Learning; Perceptual Features; Representation Learning;

    Abstract : This dissertation presents ten studies focusing on three important subfields of music information retrieval (MIR): music transcription (Part A), music perception (Part B), and music production (Part C).In Part A, systems capable of transcribing rhythm and polyphonic pitch are described. READ MORE

  2. 2. Monsters I Love : On Multivocal Arts

    Author : Alex Nowitz; Rolf Hughes; Sten Sandell; Åse Tone; Stockholms konstnärliga högskola; []
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Music; acousmatic and disembodied voice; æsthetics of uncertainty and in-between; composer-performer; contemporary vocal performance art; custom musical instrument DIY ; digital musical instrument DMI ; electronic and electroacoustic music; expanding the field of vocal performance art; extended vocal techniques; extending the voice; gesture-controlled live electronics; improvisation and real-time composition; inclusive vocal performance practises; interactive sound and music; multidirectional listening; multivocality; multivocal voice; new vocality; sampling practises for vocal and musical improvisation; schizophonic practices; sensor-based and computer-based technology; singer-composer; sound art; sound technology; STEIM; strophonion; vocal materiality and liminality; vocal personas; vocal sound dance; wireless technology; Performativa och mediala praktiker; Performative and media based practices; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera;

    Abstract : Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in the Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts, it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflection and informative threads. READ MORE

  3. 3. Sensing Traditional Music Through Sweden's Zorn Badge : Precarious Musical Value and Ritual Orientation

    Author : Karin Eriksson; Lars Berglund; Dan Lundberg; Rachel Beckles Willson; Martin Stokes; Uppsala universitet; []
    Keywords : traditional music; Sweden; folk music; music auditions; ritual; orientation; sensory ethnography; ethnomusicology; Musicology; Musikvetenskap;

    Abstract : This thesis investigates the multiple and contested spaces of belonging that may be evoked by ritualised musical performance. It makes an ethnographic case study of the Zorn Badge Auditions in Sweden, in which musicians play before a jury in the hope of being awarded a Zorn Badge and a prestigious but also contested title: Riksspelman. READ MORE

  4. 4. Singing the body electric : Understanding the role of embodiment in performing and composing interactive music

    Author : Anna Einarsson; Tom Ziemke; Per Mårtenson; Sally-Jane Norman; Kungl. Musikhögskolan; []
    Keywords : HUMANIORA; HUMANITIES; music composition; embodiment; singing; interactive music; live electronics; affordances; performance technologies; computer music; music composition; embodiment; singing; interactive music; live electronics; affordances; performance technologies; ; computer music;

    Abstract : Almost since the birth of electronic music, composers have been fascinated by the prospect of integrating the human voice with its expressiveness and complexity into electronic musical works. This thesis addresses how performing with responsive technologies in mixed works, i.e. READ MORE

  5. 5. Composing The Performance : An Exploration Of Musical Composition As A Dramaturgical Strategy In Contemporary Intermedial Theatre

    Author : Kent Olofsson; Henrik Frisk; Erik Rynell; Camilla Eeg-Tverbakk; Lärare (Musikhögskolan); []
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Musical composition; Dramaturgy; Composed theatre; Intermedial theatre; New music theatre; Interdisciplinary performing arts; Contemporary theatre; Sonic scenography; Collaborative artistic work; New dramaturgy; Musical composition; Dramaturgy; Composed Theatre; Intermedial theatre; New music theatre; Interdisciplinary performing art; Contemporary theatre; Sonic scenography; Collaborative artistic work; New dramaturgy;

    Abstract : This thesis explores musical composition in the context of contemporary theatre. It suggests methods where compositional thinking – broadly understood – can be used as a dramaturgical device in the creation of theatre performances. READ MORE