Search for dissertations about: "Sound Field Design"

Showing result 1 - 5 of 57 swedish dissertations containing the words Sound Field Design.

  1. 1. Designing with Urban Sound : Exploring methods for qualitative sound analysis of the built environment

    Author : Nina Hällgren; Katja Grillner; Björn Hellström; Gunnar Sandin; KTH; []
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Architectue; urban sound design; urban sound planning; soundscape; urban planning; artistic research; architectural research;

    Abstract : The licentiate thesis Designing with Urban Sound explores the constitution and qualitative characteristics of urban sonic space from a design-oriented and practice-based perspective. The act of lifting forth and illuminating the interaction between architecture, the creation of sound and a sonic experience aims to examine and develop useful tools and methods for the representation, communication and analysis of the exterior sonic environment in complex architectural spaces. READ MORE

  2. 2. Monsters I Love : On Multivocal Arts

    Author : Alex Nowitz; Rolf Hughes; Sten Sandell; Åse Tone; Stockholms konstnärliga högskola; []
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Music; acousmatic and disembodied voice; æsthetics of uncertainty and in-between; composer-performer; contemporary vocal performance art; custom musical instrument DIY ; digital musical instrument DMI ; electronic and electroacoustic music; expanding the field of vocal performance art; extended vocal techniques; extending the voice; gesture-controlled live electronics; improvisation and real-time composition; inclusive vocal performance practises; interactive sound and music; multidirectional listening; multivocality; multivocal voice; new vocality; sampling practises for vocal and musical improvisation; schizophonic practices; sensor-based and computer-based technology; singer-composer; sound art; sound technology; STEIM; strophonion; vocal materiality and liminality; vocal personas; vocal sound dance; wireless technology; Performativa och mediala praktiker; Performative and media based practices; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera;

    Abstract : Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in the Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts, it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflection and informative threads. READ MORE

  3. 3. Are you ready for a wet live-in? : explorations into listening

    Author : Janna Holmstedt; Ylva Gislén; Per Nilsson; Jörgen Dahlqvist; Jesper Olsson; Kristina Lindström; Åsa Ståhl; Umeå universitet; []
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; artistic research; listening; situated practices; sound in art; expanded art; expanded scenography; media ecology; acousmatic orality; a orality; storytelling; interspecies communication; more-than-human relations; co-habitation; sensorial estrangement; posthumanism; parasites; play; technology; dolphins; sonic sensibility; transliteracy; voice; performativity; new materialism; Michel Serres; Karen Barad; John Lilly; oceans; wet live-in; Artistic research; Listening; Situated practices; Sound in art; Expanded art; Expanded scenography; Media ecology; Acousmatic orality; A orality; Storytelling; Interspecies communication; More-than-human relations; Co-habitation; Sensorial estrangement; Posthumanism; Parasites; Play; Technology; Dolphins; Sonic sensibility; Transliteracy; Voice; Performativity; New materialism; Michel Serres; Karen Barad; John Lilly; Oceans; Wet live-in;

    Abstract : Listen. If I ask you to listen, what is it that I ask of you—that you will understand, or perhaps obey? Or is it some sort of readiness that is requested? What occurs with a body in the act of listening? How do sound and voice structure audio-visual-spatial relations in concrete situations?This doctoral thesis in fine arts consists of six artworks and an essay that documents the research process, or rather, acts as a travelogue as it stages and narrates a series of journeys into a predominantly sonic ecology. READ MORE

  4. 4. Absorption of Sound : On the effects of field interaction on absorber performance

    Author : Anna Färm; Mats Åbom; Ragnar Glav; Susann Boij; Gareth Bennett; KTH; []
    Keywords : TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; Sound absorption; Porous absorbers; Bulk reaction; Local reaction; Boundary layer; Grazing flow; Temperature gradients; Surface impedance; Sound field; Pass-by noise; Vehicle and Maritime Engineering; Farkostteknik;

    Abstract : Environmental noise has for decades been a well known problem, especially in urban areas. As noise requirements for vehicles are sharpened, noise reducing concepts are needed in early design stages requiring accurate simulations to support the design. READ MORE

  5. 5. Sound perception and design in multimodal environments

    Author : PerMagnus Lindborg; Anders K. Friberg; Daniel Västfjäll; KTH; []
    Keywords : TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; HUMANIORA; HUMANITIES; NATURVETENSKAP; NATURAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; sound; perception; design; multimodal; environment; soundscape; music; listening; crossmodal; psychoacoustics; psychophysiology; personality trait; emotion; appraisal; aesthetics; colour; correlation; regression; classification; sonification; Tal- och musikkommunikation; Speech and Music Communication;

    Abstract : This dissertation is about sound in context. Since sensory processing is inherently multimodal, research in sound is necessarily multidisciplinary. The present work has been guided by principles of systematicity, ecological validity, complementarity of  methods, and integration of science and art. READ MORE