Search for dissertations about: "Staffan Carlshamre"

Showing result 1 - 5 of 6 swedish dissertations containing the words Staffan Carlshamre.

2. 1. Resaying the Human : Levinas Beyond Humanism and Antihumanism

   Author : Carl Cederberg; Marcia Sá Cavalcante Schuback; Hans Ruin; Staffan Carlshamre; Bettina Bergo; Södertörns högskola; []
   Keywords : HUMANIORA; HUMANITIES; Levinas; Heidegger; The Human; Humanism; Critique; Antihumanism; Human Rights; The Other; Universalism; Violence; Responsibility; Transcendence; The Political; Philosophy subjects; Filosofiämnen;

   Abstract : In this reading a notion of the human is developed through an engagement with the work of French philosopher Emanuel Levinas. The argument is that, with the help of Levinas, it is possible for the idea of the human to be understood anew, for the notion to be ‘resaid’. READ MORE

4. 2. Recasting Objective Thought : The Venture of Expression in Merleau-Ponty’s Philosophy

   Author : Anna Petronella Foultier; Staffan Carlshamre; Hans Ruin; Leonard Lawlor; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; Merleau-Ponty; Saussure; Butler; phenomenology; expression; language; perception; painting; Gestalt theory; linguistics; feminist phenomenology; dance; Theoretical Philosophy; teoretisk filosofi;

   Abstract : This thesis is about meaning, expression and language in Merleau-Ponty’s philosophy, and their role in the phenomenological project as a whole. For Merleau-Ponty, expression is the taking up of a meaning given either in perception or in already acquired forms of expression, thereby repeating, transforming or congealing meaning into gestures, utterances, artworks, ideas or theories. READ MORE

5. 3. Seeing What Is Not There : Essays on Pictures and Photographs

   Author : Mikael Pettersson; Staffan Carlshamre; Göran Rossholm; Robert Hopkins; Stockholms universitet; []
   Keywords : depiction; photography; pictorial experience; perception; phenomenology; Theoretical Philosophy; teoretisk filosofi;

   Abstract : Pictures—paintings, etchings, photographs, CGI—let us see what is not there. Or, rather, since what pictures depict is not really there, we do not really see the pictorial contents. But we seem to see the depicted things: we “see” them “in” the pictures. READ MORE

6. 4. Mimesis as the Representation of Types : The Historical and Psychological Basis of an Aesthetic Idea

   Author : Michael Ranta; Margaretha Rossholm-Lagerlöf; Staffan Carlshamre; Lars-Olof Åhlberg; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; Art theory; aesthetics; cognitive psychology; experimental aesthetics; history of aesthetics; mental representation; aesthetic preference; pictorial representation; prototypicality; schema theory; emotion theory; categorization; behaviourism; Art; Konstvetenskap; Art science;

   Abstract : This work attempts to investigate a long-standing tradition within the history of aesthetics according to which the function of pictorial representation consists, or ought to consist, of the rendering of general or idealized types rather than particulars. Proponents of this view may be found in various versions from antiquity to the present. READ MORE

7. 5. Nihilism, Art, and Technology

   Author : Sven-Olov Wallenstein; Staffan Carlshamre; Arnfinn Bö-Rygg; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; nihilism; art; technology; avant-garde; architecture; critical theory; Martin Heidegger; Walter Benjamin; Ernst Jünger; Mies van der Rohe; Philosophy subjects; Filosofiämnen; Theoretical Philosophy; teoretisk filosofi;

   Abstract : The thesis investigates the role of technology in the formation of the artistic avant-garde, along with various forms of philosophical reflection on this development, with a particular emphasis on Heidegger. Setting out from an analysis of three paradigmatic cases in the interplay between art and technology—the invention of photography, the shift from Futurism to Constructivism, and the interpretation of technology in debates on architectural theory in the 1920s and ’30s—it proceeds to a discussion of three philosophical responses to this development, those found in Walter Benjamin, Martin Heidegger, and Ernst Jünger, all of which share a certain avant-garde sensibility and a notion of art as a response to nihilism. READ MORE