Search for dissertations about: "Visualisation"
Showing result 11 - 15 of 175 swedish dissertations containing the word Visualisation.
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11. A time and place for everything? : social visualisation tools and critical literacies
Abstract : The aim of this study is to analyse mutual enactments of critical literacies and social visualisation tools as information resources. The central concept of critical literacies as used here extends and redefines prior critical literacy definitions to denote the pluralistic situated enactments of meaning through which study participants identify, question and transform bias, restrictions and power related aspects of access, control and use in relation to the tools. READ MORE
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12. Geographic Indexing and Data Management for 3D-Visualisation
Abstract : .... READ MORE
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13. FEM and Scientific Visualisation as Tools in Furniture Design
Abstract : In the design process, knowledge of structural mechanics is often reduced to its use in determining whether the object that has been designed is sufficiently strong. Strength testing indicates this directly on a yes or no basis, whereas computations are able to quantify the degree of strength. READ MORE
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14. Understanding Intrusion Detection Through Visualisation
Abstract : With the ever increasing use of computers for critical systems, computer security, the protection of data and computer systems from intentional, malicious intervention, is attracting much attention. Among the methods for defence, intrusion detection, i.e. READ MORE
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15. Negotiating 'Culture', Assembling a Past: the Visual, the Non-Visual and the Voice of the Silent Actant
Abstract : The aim of this thesis is to describe and analyse the processes surrounding the creation of a scientific visual representation, where, both in the practical creation of this visualisation and in the way it is communicated, those actants which amount to what we call ‘culture’ or cultural value, are enrolled or ignored. Trying to answer if a broader set of non-visual cultural properties can be identified and their influence described, and if history can be visualised without displacing our knowledge of the past in favour of a popular representation thereof, I trace the interaction between client, artist, technology and target audience. READ MORE