Search for dissertations about: "archival art"

Showing result 1 - 5 of 7 swedish dissertations containing the words archival art.

  1. 1. The Archive Art Phenomenon : History and Critique at the Turn of the Twenty-First Century

    Author : Sara Callahan; Anna Dahlgren; Dan Karlholm; Anna Orrghen; Stockholms universitet; []
    Keywords : HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; archival art; archival turn; archive art; contemporary art; critical paradigm; the Institutional Theory of Art; Institutional Critique; parafiction; postcritique; presentism; travelling concepts; The Atlas Group; Arthur Danto; Jacques Derrida; Michel Foucault; Joachim Koester; Zoe Leonard; Michael Maranda; Walid Raad; Raqs Media Collective; Ed Ruscha; Fred Wilson; konstvetenskap; Art History;

    Abstract : This dissertation investigates the relationship between art and archive at the turn of the twenty-first century. The object of study is the phenomenon of archive art, understood as a combination of theories of the archive, artworks, and different kinds of texts (catalogues, scholarly articles, critical essays, etc. READ MORE

  2. 2. Up the Stylish Staircase : Situating the Fürstenberg Gallery and Art Collection in a Late Nineteenth-Century Swedish Art World

    Author : Charlotta Nordström; Tomas Björk; Maria Görts; Stockholms universitet; []
    Keywords : HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; The Fürstenberg Gallery; The Fürstenberg Art Collection; Pontus Fürstenberg; Göthilda Fürstenberg; Gothenburg art ; Swedish Art; Nineteenth-Century Art; Patronage; Art Collection; The Opponents; Collecting Practices; Exhibition Practices; Blanch’s Art Salon; konstvetenskap; Art History;

    Abstract : This dissertation investigates the establishment (in 1885), the influence, the critical reception, and the legacy of the Fürstenberg Gallery and Art Collection in Gothenburg, Sweden. The aim of this research is to demonstrate how the gallery and the collection were products and producers of specific art-historical situations, within a particular nineteenth-century Swedish art world. READ MORE

  3. 3. Coloured Universe and the Russian Avant-Garde : Matiushin on Colour Vision in Stalin's Russia, 1932

    Author : Margareta Tillberg; Jeff Werner; Stockholms universitet; []
    Keywords : HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Colour vision; Russian avant-garde; Mikhail Matiushin; Elena Guro; Ender siblings; art; science; laboratory observations; colour practices; colour theory; synaesthesia; dialectical materialism; Stalin; culture; universal language; architecture; design; Matjušin; Michail Vasilʹevič; 1861-1934; Experimentell konsthistoria Sovjetunionen 1930-talet; Färglära historia Sovjetunionen 1930-talet; Art; Konstvetenskap; konstvetenskap; Art History; practices; physiology; psychology; formalism;

    Abstract : Colour vision was of fundamental importance in modernist art. One reason its significance has been studied so little with regard to Russian art is that Soviet archives were inaccessible until the early 1990s. This work is the first close study on a so-called laboratory in an art- and science institute in the Soviet Union in the 1920s. READ MORE

  4. 4. Exchangification of art: transforming street art into market products

    Author : Hanna Borgblad; Göteborgs universitet; Göteborgs universitet; Gothenburg University; []
    Keywords : exchangification; commodification; arts marketing; market practice; authenticity; legitimacy; graffiti; street art;

    Abstract : Art markets are filled with tensions, often explained as an inevitable dichotomy between arts and commerce. During the last century, this phenomenon has been defined as the commodification of art. READ MORE

  5. 5. Gallery Experience : Viewers, Screens and the Space In-Between in Contemporary Installation Art

    Author : Olivia Eriksson; Malin Wahlberg; Anu Koivunen; Ilona Hongisto; Stockholms universitet; []
    Keywords : HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; gallery film; film installation; artists film; archival art; film experience; film phenomenology; embodied experience; relational aesthetics; participation; site specificity; Olafur Eliasson; Fiona Tan; Akram Zaatari; Richard Mosse; Jesper Just; Cinema Studies; filmvetenskap;

    Abstract : This dissertation explores gallery experience as an embodied and site-specific occurrence. Using an interdisciplinary approach that bridges art historical research with film theoretical perspectives, it offers contextualized, in-depth analyses of a limited number of contemporary installation works exhibited in Scandinavia during 2014–2016. READ MORE