Search for dissertations about: "artistic research"

Showing result 6 - 10 of 209 swedish dissertations containing the words artistic research.

  1. 6. Beyond Cut and Join : Expanding the Creative Role of Film Editing

    Author : Kersti Grunditz Brennan; Juliette Mapp; Karen Pearlman; Ilona Hongisto; Stockholms konstnärliga högskola; []
    Keywords : HUMANIORA; HUMANITIES; Film editing; character; collaboration; filmmaking; artistic research; creative practice research; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.;

    Abstract : The research project Beyond Cut and Join – Expanding the creative role of film editing comes out of two major observations over decades of professional film editing experience: that a lot of film editing’s potential is untapped in filmmaking, especially in relation to character creation; and that editors’ skills, influence and authorial participation often are misunderstood and undervalued. Through editing practice and writing, this research explores an expanded role of editing by asking: 1. READ MORE

  2. 7. Body acts queer : Clothing as a performative challenge to heteronormativity

    Author : Maja Gunn; José Teunissen; Högskolan i Borås; []
    Keywords : HUMANIORA; HUMANITIES; Artistic research; design; fashion; ideology; performativity; pleasure; power; queer.; Textiles and Fashion Design ; Textil och mode konstnärlig ;

    Abstract : This artistic, practice-based thesis has been developed based on the idea that design creates social and ideological change. From this perspective, Body Acts Queer — Clothing as a performative challenge to heteronormativity introduces an artistic way of working with and exploring the performative and ideological functions of clothing with regard to gender, feminism, and queer. READ MORE

  3. 8. Transversal media practices : media archaeology, art and technological development

    Author : Kristoffer Gansing; Beryl Graham; Malmö högskola; []
    Keywords : media archaeology; transversality; technological development; new media; media art; alternative media; practice-based research; cultural production; artistic research; overhead projector; television; remediation; imaginary media;

    Abstract : Transversal Media Practices work across specific situations of technological development, critically examining and redefining the terms of production in different media by bringing heterogeneous histories, institutions, actors and materialities into play with one another. This dissertation is all about trying out and refining the methodologies of such transversal media practices, in the end outlining a conceptual set of tools for further development. READ MORE

  4. 9. Organizational Lessons Learned : Natural Hazards Affecting Critical Infrastructure

    Author : Monika Rydstedt Nyman; Lars Nyberg; Magnus Johansson; Eva Liljegren; Henrik Tehler; Karlstads universitet; []
    Keywords : NATURVETENSKAP; NATURAL SCIENCES; natural hazards; critical infrastructure; feedback; lessons learned; collective learning; memory building; Risk and Environmental Studies; Risk- och Miljöstudier;

    Abstract : This thesis focuses on an issue often presented as a solution – albeit a debated one ­– namely learning, specifically lessons learned from natural hazard events. Empirically, this thesis examines flooding and avalanches in a Swedish context, centering on systematic feedback mechanisms and learning from extreme events. READ MORE

  5. 10. SHUT UP 'N' PLAY! Negotiating the Musical Work

    Author : Stefan Östersjö; Musikhögskolan i Malmö; []
    Keywords : HUMANIORA; HUMANITIES; Contemporary art music; Collaboration; Musical performance; Methodology; Artistic research; Ontology; Music philosophy; Musical work; Musical interpretation; Performance practice;

    Abstract : 'SHUT UP ’N’ PLAY! Negotiating the Musical Work’ is a piece of artistic research that attempts to merge artistic practice, qualitative research methods and critical analysis in a project concerned with contemporary performance practices, and specifically how these practices are created and transmitted in the interaction between composer and performer. By way of a critical reading of the musico-philosophical discussion of the ontology of the musical work and by way of a deconstruction of the concept of musical interpretation I propose a model in which the identity of the musical work is analysed as the result of interaction between multiple agents: composer, performer, instrument, score and electronics, among others. READ MORE