Search for dissertations about: "artists film"
Showing result 1 - 5 of 7 swedish dissertations containing the words artists film.
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1. Gallery Experience : Viewers, Screens and the Space In-Between in Contemporary Installation Art
Abstract : This dissertation explores gallery experience as an embodied and site-specific occurrence. Using an interdisciplinary approach that bridges art historical research with film theoretical perspectives, it offers contextualized, in-depth analyses of a limited number of contemporary installation works exhibited in Scandinavia during 2014–2016. READ MORE
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2. Electronic Labyrinths : An Archaeology of Videographic Cinema
Abstract : This study scans six decades of film history in search for video images, the imaginaries within which they are framed, and (taking cues from the archaeological methods of Friedrich Kittler and Michel Foucault) their technical, historical, and institutional conditions of existence. The British experimental science fiction film Anti-Clock (Jane Arden and Jack Bond, 1979) revolves around a video device with the capacity to confront subjects with their own repressed memory images. READ MORE
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3. Moving Images of Literature : Transformations of Literature in Contemporary Video and Film Installation Art
Abstract : This study aims to contribute to a better understanding of the many engagements with literature beyond the literary field. More specifically, it studies different ways of staging and transforming literature in video and film installation since the 1990s. READ MORE
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4. For every word has its own shadow: Sunsets, Notes From Underground, Waves
Abstract : Liminality permeates this doctoral project's questions: how can an experience of the liminal exist as an artwork? What things and experiences can orient us towards affectivity and states of becoming? Lisa Tan relates such concerns to Clarice Lispector whose writing renders becoming(s) visible. Coupled with Maurice Blanchot and his literary discourse on dispossession and the outside (analogous to becoming), Tan's inquiry is critically engaged inside a moving image practice. READ MORE
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5. Monsters I Love : On Multivocal Arts
Abstract : Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in the Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts, it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflection and informative threads. READ MORE
