Search for dissertations about: "dans"
Showing result 1 - 5 of
65 swedish dissertations containing the word dans.
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Author : Ingvartsen Mette; Maria Lind; Bojana Cvejic; Adrian Heathfield; Stockholms konstnärliga högskola; []
Keywords : HUMANIORA; HUMANITIES; material agency; vibrant matter; sensorial participation; sensorial problems; immersive stage environments; color perception; nonhuman choreography; actants; the Anthropocene; non-subjective performativity; ecology; catastrophe; technological extensions of the body; the triple image; animate inanimate; expression; action; production of affect; evaporation; dissolution and dispersion; poetics; expanded choreography; Sexuality; sexual liberation; the performance history of the 1960s; protest and politics; ‘language choreography’; orality; storytelling; pornography; affect and economy; expression and liberty; immaterial labor; self-experimentation; dance; ‘soft choreography ; social choreography; Koreografi; Dans; Konstnärlig forskning; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts; material agency; vibrant matter; sensorial participation; sensorial problems; immersive stage environments; color perception; nonhuman choreography; actants; the Anthropocene; non-subjective performativity; ecology; catastrophe; technological extensions of the body; the triple image; animate inanimate; expression; action; production of affect; evaporation; dissolution and dispersion; poetics; expanded choreography; Sexuality; sexual liberation; the performance history of the 1960s; protest and politics; ‘language choreography’; orality; storytelling; pornography; affect and economy; expression and liberty; immaterial labor; self-experimentation; dance; ‘soft choreography ; social choreography;
Abstract :
Through two books and a series of video documentations of live performances Mette Ingvartsen makes choreography into a territory of physical, artistic and social experimentation. The Artificial Nature Series focusses on how relations between human and non-human agency can be explored and reconfigured through choreography. READ MORE
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Author : Mayssa Rekhis; Richard Rechtman; Rebecca Popenoe; Miriam Ticktin; Lotte Segal; Linköpings universitet; []
Keywords : SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Trauma; Psychotherapy; Refugees; Migration; Ethnography; Integration; Exile; Survival;
Abstract :
“Undesirables” of the contemporary world (Agier, 2008), refugees are often considered “Others” whose lives can be wasted, at deadly borders, in detention centers, or at the margins of societies. Proving their suffering is a condition for accessing the right to asylum, but the current migration policies in the host countries expect them to quickly overcome it, and integrate, as a way to pay back for the protection they received. READ MORE
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Author : Ninnie Andersson; Astrid Pettersson; Luleå tekniska universitet; []
Keywords : SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Pedagogik; Education;
Abstract :
The aim of this study is to describe and explore the phenomenon of assessment in dance education within the Swedish upper secondary schools’ dance orientation. The phenomenon was researched based on teachers’ experiences of assessment in dance education and formulations in the syllabi for upper secondary school. READ MORE
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Author : Malin Arnell; Anna Koch; Hanna Hallgren; Teresa Maria Diaz Nerio; Stockholms konstnärliga högskola; []
Keywords : HUMANIORA; HUMANITIES; duration space-time-language matter ; knowledge production tacit; embodied; experiential ; performance art body art; live art; happenings ; choreography diffractive methods and techniques ; performativity human and non-human agentiality ; embodiment vulnerability; intimacy; force; power ; participation mutual co-constitutiveness ; invitation contractual engagement and accountability ; environment void; fullness ; embodied affinities human and more-than-human ; orientation; posthumanities; agential realism; feminism; artistic research; expositional strategies; enactment re-enactments ; live dissertation through live act ion s ; documentation affective; embodied ; Hannah Arendt; Karen Barad; Gina Pane; YES! Association Föreningen JA!; Duration; Koreografi; Kunskapsproduktion; Performativ konst; Förkroppsligande; Delaktighet; Invitation; Konstnärlig forskning...; Performativa och mediala praktiker; Performative and media based practices; duration space-time-language matter ; knowledge production tacit; embodied; experiential ; performance art body art; live art; happenings ; choreography diffractive methods and techniques ; performativity human and non-human agentiality ; embodiment vulnerability; intimacy; force; power ; participation mutual co-constitutiveness ; invitation contractual engagement and accountability ; environment void; fullness ; embodied affinities human and more-than-human ; orientation; posthumanities; agential realism; feminism; artistic research; expositional strategies; enactment re-enactments ; live dissertation through live act ion s ; documentation affective; embodied ; Hannah Arendt; Karen Barad; Gina Pane; YES! Association Föreningen JA!;
Abstract :
If we are being-of-the-world, how can we ever avoid participation? From this question Avhandling / Av_handling (Dissertation / Through_ action) unfolds. It invites to engage in an ongoing continuum of entanglements, where the moment of connection is unavoidable. READ MORE
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Author : Eleanor Bauer; Juliet Mapp; Chrysa Parkinson; Martin Hargreaves; Stockholms konstnärliga högskola; []
Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; dance; choreography; writing; dancing-thinking; dancing-writing; media specificity; artistic research; enactive cognition; aesthetic thought; sensual journalism; splace; modybind; Utbildning på forskarnivå i performativa och mediala praktiker; Third-Cycle Studies in Performative and Mediated Practices;
Abstract :
The doctoral project choreo | graphy is an inquiry into the relationship between thinking through dance and thinking through written language, taking the notion of choreography literally as dancing-writing. Respecting that different media afford different thought processes, ideas, and concepts to be reached, this practice-based artistic research project has unfolded within artistic processes and experiments to explore and develop the relationship between dancing-thinking and writing-thinking. READ MORE
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