Search for dissertations about: "early vision"
Showing result 1 - 5 of 121 swedish dissertations containing the words early vision.
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1. Binding Three Kinds of Vision
Abstract : Pictorial cues, together with motion and stereoscopic depth fields, can be used for perception and constitute ‘three kinds’ of vision. Edges in images are important features and can be created in either of these attributes. READ MORE
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2. Early Vision Optimization: Parametric Models, Parallelization and Curvature
Abstract : Early vision is the process occurring before any semantic interpretation of an image takes place. Motion estimation, object segmentation and detection are all parts of early vision, but recognition is not. READ MORE
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3. Discrete Optimization in Early Vision - Model Tractability Versus Fidelity
Abstract : Early vision is the process occurring before any semantic interpretation of an image takes place. Motion estimation, object segmentation and detection are all parts of early vision, but recognition is not. Some models in early vision are easy to perform inference with---they are tractable. Others describe the reality well---they have high fidelity. READ MORE
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4. The Messenger of the Lord in Early Jewish Interpretations of Genesis
Abstract : This dissertation investigates the ambiguous relationship between God and ‘the angel of the Lord/God’ in early Jewish interpretations of Genesis, for example, Gen 16:7–14; 22:1–19, and 31:10–13. Although the designation ‘the angel of the Lord’ does not appear in Genesis 32, this text is included because it exhibits the same ambiguity as the explicit ‘angel of the Lord-texts’. READ MORE
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5. Impure vision : American staged art photography of the 1970s
Abstract : The aim of this study is to explore how American staged art photographers in the 1970s problematized a traditional, visualist approach to the photograph as mediator or interface between human subject and reality, which had been present in the straight photography that had dominated American art photography from the early decades of the twentieth century. Instead of viewing the camera as an objective, optical device and photographs as mechanically reproducible artistic products, the proponents of the new "staged photography" seized the possibilities of conveying holistic life experiences by employing a full range of sensory impressions. READ MORE