Search for dissertations about: "exhibition making"

Showing result 1 - 5 of 15 swedish dissertations containing the words exhibition making.

  2. 1. Patchworking publics-in-the-making : design, media and public engagement

    Author : Kristina Lindström; Åsa Ståhl; Nina Wakeford; Malmö högskola; []
    Keywords : design; media; collaboration; making; technology; materiality; material turn; interaction design; media and communication studies; publics; feminist technoscience;

    Abstract : This is a collaborative practice-based thesis by publication written across two disciplines: interaction design, and media and communication studies. Based on Threads – a Mobile Sewing Circle, a travelling exhibition in which participants are invited to embroider an SMS by hand and with an embroidery machine connected to a mobile phone, this thesis puts forward the concept of publics-in-the-making. READ MORE

  4. 2. Exhibition-Making and Political Imaginary : On Modalities and Potentialities of Curatorial Practice

    Author : Simon Sheikh; Konsthögskolan i Malmö; []
    Keywords : HUMANIORA; HUMANITIES; Exhibition-Making; politics; contemporary art; horizons; institution; articulation; critique; curating;

    Abstract : The Ph.D. project concerns itself with curatorial practice, its constituent modalities and potentialities. It consists of both a practical and a theoretical part. READ MORE

  5. 3. Remembering and Forgetting in the Archive : Instituting ‘Group Material’ (1979–1996)

    Author : Julie Ault; Konsthögskolan i Malmö; []
    Keywords : HUMANIORA; HUMANITIES; timeline; time frame; retrospective; Felix Gonzalez-Torres; recollection; alternative arts network; AIDS Timeline; publishing; microhistory; interpretation; instituting; archive; archiving; Corita; book as exhibition; chronicle; collaboration; chronology; collective memory; contextualization; curating; ephemeral art practices; exhibition making; exhibition pedagogy; Group Material; historical representation; history writing; historicization;

    Abstract : My PhD submission is made up of a constellation of three elements that form a body of textual material / theory and practice event / exhibition. (1) A dimension of critical writing or dissertation that has two parts: (a) Retrospective / Prospective: Activating the Archive, September 1, 2010, and (b) an accretion of further analysis, Archive, Archived, Archiving, September 1, 2011. READ MORE

  6. 4. Making in Context : Reconsidering Anders Zorn's Oil Painting Practice

    Author : Emma Jansson; Sabrina Norlander Eliasson; Anna Bortolozzi; Jorgen Wadum; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; Anders Zorn; oil painting; technical art history; technical analysis; materiality; material culture; conservation science; nineteenth century; juste milieu; modernism; modernity; Impressionism; Paris Salon; secessionism; konstvetenskap; Art History;

    Abstract : Anders Zorn is one of the most well-known Swedish artists of the late nineteenth century. Born 1860 in the Dalecarlian town of Mora, the artist’s works were renowned and sought-after during his lifetime, both at home and abroad. READ MORE

  7. 5. Moving through Choreography – Curating Choreography as an Artistic Practice

    Author : Marie Fahlin; André Lepecki; Cristina Caprioli; Joanna Sandell; Stockholms konstnärliga högskola; []
    Keywords : HUMANIORA; HUMANITIES; Choreography; curating; dressage; centaur; centauring; exhibition; exhibitor; articulation; affect; transposition; composition; transcarnation; touch; tack; aids; terminology; ‘found practice’; ‘found choreography’; expanded choreography; one; oneness; manège; poetry; intimacy; listening; entanglement; embodiment; discursivity; diagram; performing; preforming; Utbildning på forskarnivå i performativa och mediala praktiker; Third-Cycle Studies in Performative and Mediated Practices;

    Abstract : The purpose of the artistic research, Moving through Choreography – Curating Choreography as an Artistic Practice, has been to consider choreography and curating in their similarities and differences. Thus, at different phases of the working process, choreography and curating were treated as one and the same artistic practice; while, in other moments, as practices that are distinct from each other. READ MORE