Search for dissertations about: "film installation"

Showing result 1 - 5 of 8 swedish dissertations containing the words film installation.

2. 1. Gallery Experience : Viewers, Screens and the Space In-Between in Contemporary Installation Art

   Author : Olivia Eriksson; Malin Wahlberg; Anu Koivunen; Ilona Hongisto; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; gallery film; film installation; artists film; archival art; film experience; film phenomenology; embodied experience; relational aesthetics; participation; site specificity; Olafur Eliasson; Fiona Tan; Akram Zaatari; Richard Mosse; Jesper Just; filmvetenskap; Cinema Studies;

   Abstract : This dissertation explores gallery experience as an embodied and site-specific occurrence. Using an interdisciplinary approach that bridges art historical research with film theoretical perspectives, it offers contextualized, in-depth analyses of a limited number of contemporary installation works exhibited in Scandinavia during 2014–2016. READ MORE

4. 2. Moving Images of Literature : Transformations of Literature in Contemporary Video and Film Installation Art

   Author : Tanja von Dahlern; Johan Prof.; Paula Docent; Jesper Olsson; Uppsala universitet; []
   Keywords : HUMANIORA; HUMANITIES; Transformation; Adaptation; Intermediality; Cultural Memory; Video and Film Installation; Literature; Litteraturvetenskap;

   Abstract : This study aims to contribute to a better understanding of the many engagements with literature beyond the literary field. More specifically, it studies different ways of staging and transforming literature in video and film installation since the 1990s. READ MORE

5. 3. Voicing on the borders of language

   Author : Imogen Stidworthy; Konsthögskolan i Malmö; []
   Keywords : HUMANIORA; HUMANITIES; Language; Voicing; Listening; Non-verbal communication; Metacinematic; Rub-up; Installation; Video art; Cinema; Image; Non-retinal image; Sound; Mirroring; Mimesis; Post-cinematic affect; Autism; Aphasia; Cross-modal sensing; Synaesthesia; Psychoanalysis; Neurology; Developmental psychology; Infant development; Intensive interaction; Speech therapy; Auditory surveillance; Forensic listening; Psychiatry;

   Abstract : My research engages with the varieties of relationship between verbal and non-verbal forms of language and communication. I approach the issue through three people who live or work with non-verbal people on the autistic spectrum: Phoebe Caldwell, Fernand Deligny and Iris Johansson. READ MORE

6. 4. For every word has its own shadow: Sunsets, Notes From Underground, Waves

   Author : Lisa Tan; Göteborgs universitet; []
   Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; affect; becoming; Maurice Blanchot; displacement; dispossession; essay film; experimental video; geological time; liminal; Clarice Lispector; materialism; primordial obscurity; provisional; solitude; Susan Sontag; threshold; transformation; translation; video; video installation; Virginia Woolf;

   Abstract : Liminality permeates this doctoral project's questions: how can an experience of the liminal exist as an artwork? What things and experiences can orient us towards affectivity and states of becoming? Lisa Tan relates such concerns to Clarice Lispector whose writing renders becoming(s) visible. Coupled with Maurice Blanchot and his literary discourse on dispossession and the outside (analogous to becoming), Tan's inquiry is critically engaged inside a moving image practice. READ MORE

7. 5. ENHEAR : a way of being, a state of mind, a field of enquiry

   Author : Carolina Jinde; Rebecca Hilton; Anne Gry Haugland; Stockholms konstnärliga högskola; []
   Keywords : HUMANIORA; HUMANITIES; enhear; listening; sound engineering; sound studio; film production; sonic centric strategies; collaborative processes; cross disciplinary practices; Utbildning på forskarnivå i performativa och mediala praktiker; Third-Cycle Studies in Performative and Mediated Practices;

   Abstract : The term Enhear invites an approach to research, art practice, sound studio and world that is comprehensively aural. It proposes listening as both act and role; listening as a present tense, continual and continuous co-creation of the inter-relational spaces we all share. READ MORE