Search for dissertations about: "filmvetenskap"

Showing result 1 - 5 of 37 swedish dissertations containing the word filmvetenskap.

  1. 1. The Most Delicate Subject : A History of Sex Education Films in Sweden

    University dissertation from Lunds universitet

    Author : Elisabet Björklund; Lund University.; Lunds universitet.; [2012]
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Film Studies; Filmvetenskap; sex education film; sexuality and Swedish cinema; censorship; genre; exploitation; pornography; gender; Swedish welfare state; Swedish sin ; Language of Love-films; school film; Sex education film; “Swedish sin”; Language of Love films;

    Abstract : The aim of this dissertation is to present a history of sex education films in Sweden, from their beginnings until the late 1970s, relating the films to the changing historical context of the Swedish welfare society. Within this framework, the dissertation explores two main sets of questions. READ MORE

  2. 2. Screen play : audiovisual narrative & viewer interaction

    University dissertation from Stockholm : Stockholm University

    Author : John Alexander; Stockholms universitet.; [1999]
    Keywords : HUMANIORA; HUMANITIES; Cinema Studies; filmvetenskap;

    Abstract : How does the viewer, interact, with the on-screen narratives of film, television and computer? What new forms of interaction can be realised with the emerging narratives of CD-ROM and Internet?This study considers screen play in terms of the game the viewer plays with audiovisual narrative, and how the viewer negotiates with a story to interpret, revise and reconstruct new stories of their own.Aspects of game and narrative theories, cognitive psychology and phenomenology, as well as recent research in the fields of cinema, television and computer studies, are incorporated within a screen play theory, which positions the viewer both as player and storyteller. READ MORE

  3. 3. Post-Deleuzian Investigations of U.S. Avant-Garde Film, 1943–81

    University dissertation from Stockholm : Stockholm University

    Author : Atene Mendelyte; Lund University.; Lunds universitet.; [2017-11-03]
    Keywords : HUMANIORA; HUMANITIES; U.S. avant-garde film; Gilles Deleuze; film-philosophy; sobjective image; metaphysics of technique; conceptual cartography of film-worlds; transcendental empiricism; film semiotics; postmodernism;

    Abstract : The aim of this dissertation is to investigate a number of U.S. avant-garde films using Deleuzian film-philosophy in order to describe their thought. I develop the taxonomy of cinematic images created by the French philosopher Gilles Deleuze by introducing a new type of image. READ MORE

  4. 4. The Invisible Seen in French Cinema before 1917

    University dissertation from Aura förlag

    Author : Marina Dahlquist; Stockholms universitet.; [2001]
    Keywords : HUMANIORA; HUMANITIES; trickfilm; vetenskaplig film; fransk tidig film; HUMANITIES and RELIGION Aesthetic subjects Film; HUMANIORA och RELIGIONSVETENSKAP Estetiska ämnen Filmvetenskap; Cinema Studies; filmvetenskap;

    Abstract : Since the inception of cinema, an important strand of the medium has focused on itself, on what it depicts, and its indexical relation to the profilmic. Such concerns were most conspicuously put forward by the trick-film genre which bypassed conventional realism in its toying with the photographic image as well as cinematic movement. READ MORE

  5. 5. Framing the Feature Film Multi-Reel Feature Film and American Film Culture in the 1910s

    University dissertation from Stockholm : Acta Universitatis Stockholmiensis

    Author : Joel Frykholm; Stockholms universitet.; [2009]
    Keywords : HUMANIORA; HUMANITIES; multi-reel feature film; cinema in the 1910s; early cinema; United States; film culture; Philadelphia; The Spoilers; transitional cinema; journalism; trade press; HUMANITIES and RELIGION Aesthetic subjects Film; HUMANIORA och RELIGIONSVETENSKAP Estetiska ämnen Filmvetenskap; Cinema Studies; filmvetenskap;

    Abstract : This dissertation addresses the breakthrough of the multi-reel feature film in the United States, and the significance of this process within the wider context of the American film industry and culture in the 1910s. The purpose is to provide a new, and more comprehensive analytical framing of the topic, and to enhance our understanding of how a new central commodity, i. READ MORE