Search for dissertations about: "impact of music"

Showing result 1 - 5 of 32 swedish dissertations containing the words impact of music.

2. 1. Becoming Cyborg Composer : The Ecology of Digital Music Composition Didaktik

   Author : Jonas Asplund; Ketil Thorgersen; Cecilia Ferm Almqvist; Cecilia Wallerstedt; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Music education; Music composition; Digitalisation; Posthumanism; Didaktik; ämnesdidaktik med inriktning mot de estetiska ämnenas didaktik; Teaching and Learning with Specialisation in the Arts Education;

   Abstract : The aim of this licentiate thesis is to explore the sociomaterial relationality of music composition education with digital hardware/software and its outcomes. Two studies were conducted interleaved as original articles in the thesis. READ MORE

4. 2. Towards Musicking in a Public Sphere : 1-3 year olds and music pedagogues negotiating a music didactic identity in a Swedish preschool

   Author : Maria Wassrin; Eva Österlind; Ketil Thorgersen; Tiri Bergesen Schei; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Music education; musicking; early childhood education; preschool; age power structures; very young children; subject specific didactics; public sphere; Hannah Arendt; cultural studies; Subject Learning and Teaching; ämnesdidaktik;

   Abstract : This thesis explores alternative ways of staging music in preschool. The ‘preschool subject of music’ is approached as a social and cultural construct that is embedded in discursive negotiations. Participants in the study are 1-3 year-old children and their music pedagogues, working in the preschool on a daily basis. READ MORE

5. 3. Think’st thou to seduce me then? Impersonating female personas in songs by Thomas Campion (1567-1620)

   Author : Katarina A. Karlsson; Göteborgs universitet; []
   Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Thomas Campion; lute songs; female personas; gender; same sex desire; musical interpretation; Overbury; artistic research; arrangements for female vocal quartet; English Lute Songs; Music;

   Abstract : This dissertation is in the field of Artistic Research in Music Interpretation. It is a study of songs with female personas written by Thomas Campion, investigated through performance practice and a critical reading of historical research carried out on the English Renaissance. READ MORE

6. 4. Noise and music : a matter of risk perception

   Author : Stephen E. Widén; Högskolan Väst; []
   Keywords : SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Adolescents; Tinnitus; Noise sensitivity; Socio-economic status; Attitudes; Use of hearing protection; Risk behaviour; Risk-consideration; Self-image; Norms and Ideals; Psychology; Psykologi; Psychology; Psykologi; Adolescents; Tinnitus; Noise sensitivity; Socio-economic status; Attitudes; Use of;

   Abstract : The prevalence of tinnitus and hearing impairments among adolescents seems to increase as a consequence of exposure to loud noise. Several studies have highlighted the negative auditory effects of exposure to loud music at concerts and discotheques, environments in which young people today spend considerable periods of time. READ MORE

7. 5. SHUT UP 'N' PLAY! Negotiating the Musical Work

   Author : Stefan Östersjö; Musikhögskolan i Malmö; []
   Keywords : HUMANIORA; HUMANITIES; Contemporary art music; Collaboration; Musical performance; Methodology; Artistic research; Ontology; Music philosophy; Musical work; Musical interpretation; Performance practice;

   Abstract : 'SHUT UP ’N’ PLAY! Negotiating the Musical Work’ is a piece of artistic research that attempts to merge artistic practice, qualitative research methods and critical analysis in a project concerned with contemporary performance practices, and specifically how these practices are created and transmitted in the interaction between composer and performer. By way of a critical reading of the musico-philosophical discussion of the ontology of the musical work and by way of a deconstruction of the concept of musical interpretation I propose a model in which the identity of the musical work is analysed as the result of interaction between multiple agents: composer, performer, instrument, score and electronics, among others. READ MORE