Search for dissertations about: "interactive sound and music"

Showing result 1 - 5 of 8 swedish dissertations containing the words interactive sound and music.

  1. 1. Monsters I Love : On Multivocal Arts

    University dissertation from Stockholm : Stockholms konstnärliga högskola

    Author : Alex Nowitz; Stockholms konstnärliga högskola.; [2019]
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Music; acousmatic and disembodied voice; æsthetics of uncertainty and in-between; composer-performer; contemporary vocal performance art; custom musical instrument DIY ; digital musical instrument DMI ; electronic and electroacoustic music; expanding the field of vocal performance art; extended vocal techniques; extending the voice; gesture-controlled live electronics; improvisation and real-time composition; inclusive vocal performance practises; interactive sound and music; multidirectional listening; multivocality; multivocal voice; new vocality; sampling practises for vocal and musical improvisation; schizophonic practices; sensor-based and computer-based technology; singer-composer; sound art; sound technology; STEIM; strophonion; vocal materiality and liminality; vocal personas; vocal sound dance; wireless technology; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Abstract : Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in the Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts, it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflection and informative threads. READ MORE

  2. 2. Interactive computer-aided expressive music performance Analysis, control, modification and synthesis

    University dissertation from Stockholm : KTH Royal Institute of Technology

    Author : Marco Fabiani; KTH.; [2011]
    Keywords : TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; TECHNOLOGY Engineering physics Acoustics; TEKNIKVETENSKAP Teknisk fysik Akustik;

    Abstract : This thesis describes the design and implementation process of two applications (PerMORFer and MoodifierLive) for the interactive manipulation of music performance. Such applications aim at closing the gap between the musicians, who play the music, and the listeners, who passively listen to it. READ MORE

  3. 3. Singing the body electric Understanding the role of embodiment in performing and composing interactive music

    University dissertation from Lund : Lund University Open Access

    Author : Anna Einarsson; Kungl. Musikhögskolan.; [2017]
    Keywords : HUMANIORA; HUMANITIES; music composition; embodiment; singing; interactive music; live electronics; affordances; performance technologies; computer music;

    Abstract : Almost since the birth of electronic music, composers have been fascinated by the prospect of integrating the human voice with its expressiveness and complexity into electronic musical works. This thesis addresses how performing with responsive technologies in mixed works, i.e. READ MORE

  4. 4. Imagination, form, movement and sound. Studies in musical improvisation

    University dissertation from Göteborg : University of Gothenburg

    Author : Svein Erik Tandberg; Göteborgs universitet.; Gothenburg University.; [2008]
    Keywords : HUMANIORA; HUMANITIES; Aesthetic; artistic research; chronology versus phenomenology; cognitive models; cross-modality; imitation; improvisation; motor programmes; organ; organ textbooks; procedural knowledge; Protestant practices; Roman Catholic practices; schemas; style; Johann Sebastian Bach; Anton Bruckner; Marcel Dupre; Rolande Falcinelli; Cesar Franck; Johann Georg Herzog; Hermann Keller; Olivier Latry; Conrad Paumann; Max Reger; Heinz Wunderlich; Ruth Zechlin;

    Abstract : How does one improvise? How can one learn the art of improvisation? By consid - ering these two questions this thesis aspires to make a contribution towards a greater understanding of what the production of improvised music actually involves. The organ has long traditions as an instrument on which music is improvised, and this study aims to focus primarily on organ improvisation. READ MORE

  5. 5. Interactive sonification of motion Design, implementation and control of expressive auditory feedback with mobile devices

    University dissertation from Stockholm : KTH Royal Institute of Technology

    Author : Gaël Dubus; KTH.; [2013]
    Keywords : NATURVETENSKAP; NATURAL SCIENCES; NATURVETENSKAP; NATURAL SCIENCES;

    Abstract : Sound and motion are intrinsically related, by their physical nature and through the link between auditory perception and motor control. If sound provides information about the characteristics of a movement, a movement can also be influenced or triggered by a sound pattern. READ MORE