Search for dissertations about: "literary image"

Showing result 21 - 25 of 103 swedish dissertations containing the words literary image.

  1. 21. “Distantly a part”: Wallace Stevens and the Poetics of Modernist Autonomy

    Author : Gül Bilge Han; Bo G. Ekelund; Bart Eeckhout; Lee Margaret Jenkins; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Wallace Stevens; aesthetic autonomy; modernism; poetry; social engagement; politics of aesthetics; collectivity; inaesthetics; philosophy; English; engelska;

    Abstract : This dissertation explores the social and political dimensions of aesthetic autonomy as it is given formal expression in Wallace Stevens’s poetry of the 1930s and the early 1940s. Whereas modernist claims to autonomy are often said to rest upon an ideological assertion of art’s detachment from socio-historical concerns, I argue that, in Stevens’s work, autonomy is conceived in relational terms, which gives rise to new lines of interconnection between his poetry and its cultural situation. READ MORE

  2. 22. A Rhetoric of Ambivalence : The Memory World of the Nazi Perpetrator in Jonathan Littell’s The Kindly Ones

    Author : Alexander Kofod-Jensen; Sofia Wijkmark; Jonas Ingvarsson; Karlstads universitet; []
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; literature; ambivalence; memory; history; World War II; Nazism; Comparative Literature; Litteraturvetenskap;

    Abstract : In Jonathan Littell’s The Kindly Ones (Les Bienveillantes, 2006), a discrepancy is found between the historical account and the personal story, indicating the major ambivalence that arises from the creation of a historical world (noesis) as opposed to a fictional world (poiesis). This major ambivalence is connected to a range of minor ambivalences (and other elements of uncertainty) that are related to the novel’s treatment of the historical period of World War II in ways that unsettle and defamiliarize the typical standards of Holocaust representations. READ MORE

  3. 23. The Order and the Archive : Freemasonic Archival Culture in Eighteenth-Century Europe

    Author : Tim Berndtsson; Otto Fischer; Ann Öhrberg; Henrik Bogdan; Uppsala universitet; []
    Keywords : HUMANIORA; HUMANITIES; masonry; archival history; archival theory; the Swedish Order of Freemasons; the Order of the Strict Observance; esotericism; eighteenth-century literature; frimureri; arkivhistoria; arkivteori; Svenska Frimurare Orden; Strikta Observansen; esoterik; sjutttonhundratalslitteratur; Literature; Litteraturvetenskap;

    Abstract : This study explores how eighteenth-century European Masons created archives, and how these archives in turn created Masons. It is an exploration of how a masonic archival culture was formed, and how different ideas, hopes, and anxieties were co-produced along with the records and manuscripts kept by masonic associations. READ MORE

  4. 24. On the Boundaries of Watchmen : Paratextual Narratives across Media

    Author : Peter Waites; Danuta Fjellestad; David Watson; Michael Joyce; Uppsala universitet; []
    Keywords : HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Paratexts; Watchmen; comics; graphic novels; transmedia storytelling; media franchising; new media; adaptation.; English; Engelska;

    Abstract : This dissertation is an intervention into the ongoing revisions of Gerard Genette’s concept of paratexts. Increasingly used in discussions of artifacts other than the literary novels that were Genette’s object of attention, the concept of paratexts has given rise to intense debates regarding the nature and functions of paratextual elements across media. READ MORE

  5. 25. Ecologies of the Imagination : Theorizing the participatory aesthetics of the fantastic

    Author : Per Israelson; Anders Cullhed; Marcel O'Gorman; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; Media theory; genre theory; media ecology; posthumanism; ecocriticism; neocybernetics; sympoiesis; ontogenesis; fantasy; the fantastic; comic books; William Blake; Alan Moore; J. R. R. Tolkien; Literature; litteraturvetenskap;

    Abstract : This book is about the participatory aesthetics of the fantastic. In it, the author argues that the definition of the fantastic presented by Tzvetan Todorov in 1970 can be used, provided it is first adapted to a media-ecological framework, to theorize the role of aesthetic participation in the creation of secondary worlds. READ MORE