Search for dissertations about: "neo-Platonism"

Found 2 swedish dissertations containing the word neo-Platonism.

  1. 1. The Dark Night : St John of the Cross and Eastern Orthodox Theology

    Author : Johannes Pulkkanen; Carl Reinhold Bråkenhielm; Anders Ekenberg; Andrew Louth; Uppsala universitet; []
    Keywords : HUMANIORA; HUMANITIES; Orthodox theology; Catholic theology; mystical theology; St John of the Cross; the dark night of the soul; Plotinus; neo-Platonism; spiritual exercises; St Symeon the New Theologian; compunction; spiritual father; Vladimir Lossky; filioque; Trinitarian theology; energeiai; St Maximus Confessor; deification; union with God.; Systematic theology; Systematisk teologi;

    Abstract : Russian émigré theologian Vladimir Lossky's (1903-1958) claims in his classic study of 1944, The Mystical Theology of Eastern Church, that the emphasis on the experience of spiritual separation from God in Western mystical theology ultimately goes back to how Latin churches began to add the word filioque (and-of-the-Son) to the Nicene-Constantinopolitan Creed in the sixth century. In his explanation Lossky discusses the theology of the Greek fathers suggesting that the idea of the Spirit’s generation from both the Father and the Son both builds upon and generates philosophical ideas that conflict with the possibility of receiving personal experiential knowledge of God. READ MORE

  2. 2. Enthusiasm, Contemplation, and Romantic Longing : Reconsidering Schubert's Sectional Songs in the Light of Historical Context

    Author : Tobias Lund; Musikvetenskap; []
    Keywords : HUMANIORA; HUMANITIES; Johann Georg Sulzer; Johann Wötzel; Friedrich Schiller; Romanticism; Neo-Platonism; depth; free fantasia; English landscape garden; declamation; friendship; friends; interpretation; ballad; Lied; Franz Schubert; sectional song; Ossian; Johann Mayrhofer; Die Bürgschaft; Die Nacht; Liedesend.;

    Abstract : In twentieth-century music scholarship, those of Franz Schubert’s songs from the 1810s that form sectional musical structures have normally been presented as being unfortunately dependent on aesthetically disparaged eighteenth-century models. Authors have often treated these songs succinctly, preferring instead to invest their energy in the “masterworks” of Schubert’s later years. READ MORE