Search for dissertations about: "poetry and philosophy"

Showing result 1 - 5 of 20 swedish dissertations containing the words poetry and philosophy.

  1. 1. A Multiform Desire : A Study of Appetite in Plato’s Timaeus, Republic and Phaedrus

    Author : Olof Pettersson; Pauliina Remes; Catherine Rowett; Uppsala universitet; []
    Keywords : HUMANIORA; HUMANITIES; Philosophy; Ancient Philosophy; Plato; Appetite; Desire; Epithymia; Soul; Tripartition; Multiform; Poikilos; Timaeus; Republic; Phaedrus; Embodiment; Incarnation; Necessity; Philosopher-kings; Allegory of the Cave; Noble Lie; Poetry; Multi-headed Beast; Game; Play; Rhetoric; Dialectic; Deception.; Theoretical Philosophy; Teoretisk filosofi;

    Abstract : This dissertation is a study of appetite in Plato’s Timaeus, Republic and Phaedrus. In recent research is it often suggested that Plato considers appetite (i) to pertain to the essential needs of the body, (ii) to relate to a distinct set of objects, e.g. food or drink, and (iii) to cause behaviour aiming at sensory pleasure. READ MORE

  2. 2. Form and philosophy in Sándor Weöres' poetry

    Author : Susanna Fahlström; Uppsala universitet; []
    Keywords : HUMANIORA; HUMANITIES; Finno-Ugric languages - general; Sándor Weöres; Hungarianliterature; Hungarian poetry; Hungarian language; Rhetorics; Stylistics; Text analysis; Text stylistics; Poetical form; Poeticalstructure; Philosophy in poetry; Religion in poetry; Finsk-ugriska språk - allmänt; Finno-Ugric languages; Finsk-ugriska språk; Finsk-ugriska språk; Finno-Ugric Languages;

    Abstract : This dissertation, by presenting comprehensive analyses of six poems by the Hungarian poet Sándor Weöres, investigates the poetical forms and the poetical philosophies in these texts. The poems represent specific philosophic spheres of Weöres' poetry. READ MORE

  3. 3. “Distantly a part”: Wallace Stevens and the Poetics of Modernist Autonomy

    Author : Gül Bilge Han; Bo G. Ekelund; Bart Eeckhout; Lee Margaret Jenkins; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Wallace Stevens; aesthetic autonomy; modernism; poetry; social engagement; politics of aesthetics; collectivity; inaesthetics; philosophy; English; engelska;

    Abstract : This dissertation explores the social and political dimensions of aesthetic autonomy as it is given formal expression in Wallace Stevens’s poetry of the 1930s and the early 1940s. Whereas modernist claims to autonomy are often said to rest upon an ideological assertion of art’s detachment from socio-historical concerns, I argue that, in Stevens’s work, autonomy is conceived in relational terms, which gives rise to new lines of interconnection between his poetry and its cultural situation. READ MORE

  4. 4. Mutual implications: otherness in theory and John Berryman's poetry of loss

    Author : Elias Schwieler; Umeå universitet; []
    Keywords : HUMANIORA; HUMANITIES; English language; absence; anasemia; commentary; death; departure; dialogue; figural; literal; literature; loss; mutual implications; nostalgia; origin; otherness; perspective; philosophy; poetry; presence; subversive; theory; Engelska; English language; Engelska språket; engelska; English;

    Abstract : This thesis examines John Berryman’s poetry of loss together with four different theoretical perspectives. It is the purpose of the study to involve Berryman’s poetry and critical theory in a dialogue which attempts to break down the hierarchy that positions theory as the subject and literature or poetry as the object of study. READ MORE

  5. 5. The Edge of Perception : The Psychology of the Seen and the Unseen in the Works of William Wordsworth and Samuel Taylor Coleridge

    Author : John Öwre; Engelska; []
    Keywords : HUMANIORA; HUMANITIES; Romanticism; British Romanticism; sense perception; vision; William Wordsworth; Samuel Taylor Coleridge; philosophy; Romantic period; poetry;

    Abstract : This thesis investigates the psychological dimensions of sense perception in the works of two key poets in the British Romantic tradition - William Wordsworth and Samuel Taylor Coleridge - using a combination of traditional close reading and a newer psychobiographical approach. The thesis proposes that Wordsworth's and Coleridge's works can be seen as staging a dialogue between two mutually incompatible habits of sense perception, with Coleridge experiencing perception as metaphysically divisive, and Wordsworth experiencing it as metaphysically unifying (once the mind learns to correctly process sensory gaps). READ MORE