Search for dissertations about: "remix"

Found 3 swedish dissertations containing the word remix.

  2. 1. Art and the Real-time Archive: Relocation, Remix, Response

    Author : David Crawford; Göteborgs universitet; []
    Keywords : HUMANIORA; HUMANITIES; art; aura of information; continuous partial attention; duration; ndexicality; inscription technologies; law of relocation; light of speed; material metaphor; net art; real-time archive; remix; simulated materiality; subject effects; technological addiction;

    Abstract : If Internet artists have recently relocated their work to galleries and museums, there has meanwhile been an increasing engagement on the part of gallery artists with the media. While these migrations are often discussed in aesthetic if not economic terms, this essay asks what such phenomena can tell us about the changing nature of subjectivity in relation to media and technology. READ MORE

  4. 2. Mirrors of Change : A Study of Industry Associations in Chile and Uruguay

    Author : Andrés Rivarola Puntigliano; Ulf Jonsson; Jaime Behar; John Meyer; Stockholms universitet; []
    Keywords : SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; institutions; World-culture; remix; industry associations; global; legitimacy; region; Chile; Uruguay; Economic history; Ekonomisk historia; Economic History; ekonomisk historia;

    Abstract : Mirrors of Change is a cross-sectional study of micro and macro institutional environments that envisages to analyse shifts in the sources of institutional legitimacy since the 1960s. The main aim is to understand whether homogenising macro institutions are adopted at the micro institutional levels. READ MORE

  5. 3. Islamic Semiotic Resources in US Hip-Hop Culture

    Author : Anders Ackfeldt; Religionshistoria och religionsbeteendevetenskap; []
    Keywords : HUMANIORA; HUMANITIES; islam; hip-hop; social semiotik; afroamerikansk islam; religion;

    Abstract : This dissertation contributes to the field of Islamic Studies by analyzing how the production of Islam can be seen as the outcome of interactions between actors who define themselves as Muslims as well as those who do not. The argument of this dissertation is that Muslims as well as non-Muslims have used Islamic themes in their artistic productions throughout the history of African American music making, making this historical legacy essential to this musical tradition because parts of it are repeatedly evoked in lyrics, sounds, and imagery. READ MORE