Search for dissertations about: "self-representation"

Showing result 1 - 5 of 13 swedish dissertations containing the word self-representation.

  2. 1. Embodied cognition and emotion in multisensory media

    Author : Ana Tajadura; Chalmers tekniska högskola; []
    Keywords : TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; media; emotion; psychoacoustics; auditory-induced emotions; embodied emotion; presence.; self-representation; embodiment; multisensory perception;

    Abstract : Emotions underlie most events in our everyday life perception. They prepare ourselves for an optimum response to these events, either showing attraction or rejection to them. Likewise, media has the power to evoke in us similar affective processes as the ones created by real situations. READ MORE

  4. 2. Patterns of corporate visual selfrepresentation in accounting narratives

    Author : Emelie Eriksson; Alf Westelius; Carl-Johan Petri; Bino Catasus; Linköpings universitet; []
    Keywords : SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; visual research; self-representation; diagrams; accounting narrative; corporate reporting; public disclosure; business models; semiotics; annual report; Ericsson; visuell forskning; visuella metoder; självrepresentation; diagram; externredovisning; affärsmodell; semiotik; årsredovisning; Ericsson; Economic Information Systems; Ekonomiska informationssystem;

    Abstract : This dissertation deals with firms’ visual and pre-visual self-representations in accounting narratives. Self-representations are those descriptions about the company that firms include in accounting narratives to convey the current standings and their identity. READ MORE

  5. 3. Embodied psychoacoustics: Spatial and multisensory determinants of auditory-induced emotion

    Author : Ana Tajadura; Chalmers tekniska högskola; []
    Keywords : SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; ecological psychoacoustics; multisensory perception; emoacoustics; vibrotactile; auditory-induced emotion; embodiment; peripersonal space; self-representation;

    Abstract : The research presented in this thesis focuses on auditory perception, bringing together traditional psychoacoustics, emotion, embodiment and multisensory research. In particular, the current research explored how sound, and the interpretation the listener makes of it, induces emotions in people. READ MORE

  6. 4. Uniformity or Diversity? : Facing Portrayals of Ganda Religion

    Author : Leuben Njinya-Mujinya; David Westerlund; Raimo Harjula; Uppsala universitet; []
    Keywords : HUMANIORA; HUMANITIES; History of religions; Buganda; change; conformity; dissent; diversity; ethnicity; Ganda; Ganda religion; Great Lakes Region; Kabaka; ba lubaale; Luganda; mmandwa; non-conformity; uniformity; Religionshistoria; History of religion; Religionshistoria;

    Abstract : This study researches, in a primarily historiographical way, conforming as well as, and in particular, dissenting thought and behavioural dispositions in Ganda religion. It lets the Ganda's existence, by and large, speak for itself on this matter. This occurs in two major ways. READ MORE

  7. 5. Becoming Artists : Self-Portraits, Friendship Images and Studio Scenes by Nordic Women Painters in the 1880s

    Author : Carina Rech; Sabrina Norlander Eliasson; Jessica Sjöholm Skrubbe; Martin Olin; Stockholms universitet; []
    Keywords : HUMANIORA; HUMANITIES; Nordic art; nineteenth-century art; women artists; self-portrait; portraiture; friendship; studio; collaboration; emulation; letters; epistolary; self-fashioning; feminist art history; Opponents; Salon; Julia Beck; Hanna Hirsch-Pauli; Bertha Wegmann; konstvetenskap; Art History;

    Abstract : The aim of this dissertation is to analyze how Nordic women artists negotiated their professional identity in painting in the 1880s, focusing on the genres of the self-portrait, the friendship image and the studio interior. It investigates how artistic identity is fashioned through self-representation, collaboration with a colleague and in interaction with the interior of the studio as a constitutive space of artistic professionalism. READ MORE