Search for dissertations about: "soundscape"

Showing result 1 - 5 of 11 swedish dissertations containing the word soundscape.

  1. 1. Public Reading and Aural Intensity : An Analysis of the Soundscape in John 1–4

    Author : Dan Nässelqvist; Bibelvetenskap; []
    Keywords : HUMANIORA; HUMANITIES; Gospel of John; Public Reading; Lector; Oral Delivery; Oral Performance; Sound Analysis; Sound Mapping; Sound Structure; Soundscape; Aural Intensity; Comma; Colon; Period; Colometry; Performance Criticism; Rhetorical Figure; Manuscripts; P46; P66; P75; Lectional Signs; Reader’s Aids; Private Reading;

    Abstract : This study investigates the public reading of New Testament writings in early Christian communities during the first two centuries C.E. from the perspective of the lectors who prepared and performed the readings. READ MORE

  2. 2. Unwanted wanted sounds : Perception of sounds from water structures in urban soundscapes

    Author : Maria Rådsten Ekman; Mats E Nilsson; Catherine Lavandier; Stockholms universitet; []
    Keywords : SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; Perception; psychoacoustics; soundscape; water-sound; psykologi; Psychology;

    Abstract : Water structures, for example, fountains, are common design elements in urban open public spaces. Their popularity is probably explained by their visual attractiveness. Less is known about how the sounds of water struc-tures influence the urban soundscape. READ MORE

  3. 3. Soundscapes in nineteenth-century Gothic short stories

    Author : Elena Glotova; Virginia Langum; Marlene Johansson Falck; Sylvia Mieszkowski; Umeå universitet; []
    Keywords : HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; soundscape; the Gothic; short story; auscultator; acousmatic sound; liminality; the uncanny; Literature; litteraturvetenskap;

    Abstract : In the eerie world of Gothic literature, sound represents a source of fear, anxiety, and discomfort, and it mostly affects its listeners through the invisible character of the experience. Sound is integral to nineteenth-century Gothic short stories with their panoply of liminal and polyphonic oppositions, as well as a claustrophobic feel of spaces, fearful listeners, and the return of the repressed. READ MORE

  4. 4. Designing with Urban Sound : Exploring methods for qualitative sound analysis of the built environment

    Author : Nina Hällgren; Katja Grillner; Björn Hellström; Gunnar Sandin; Konstfack; []
    Keywords : HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Architecture; urban sound design; urban sound planning; soundscape; urban planning; artistic research; architectural research; Architectue;

    Abstract : The licentiate thesis Designing with Urban Sound explores the constitution and qualitative characteristics of urban sonic space from a design-oriented and practice-based perspective. The act of lifting forth and illuminating the interaction between architecture, the creation of sound and a sonic experience aims to examine and develop useful tools and methods for the representation, communication and analysis of the exterior sonic environment in complex architectural spaces. READ MORE

  5. 5. Sound perception and design in multimodal environments

    Author : PerMagnus Lindborg; Anders K. Friberg; Daniel Västfjäll; KTH; []
    Keywords : ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; HUMANITIES; HUMANIORA; NATURAL SCIENCES; NATURVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; NATURVETENSKAP; TEKNIK OCH TEKNOLOGIER; TEKNIK OCH TEKNOLOGIER; SAMHÄLLSVETENSKAP; HUMANIORA; NATURAL SCIENCES; ENGINEERING AND TECHNOLOGY; ENGINEERING AND TECHNOLOGY; SOCIAL SCIENCES; HUMANITIES; sound; perception; design; multimodal; environment; soundscape; music; listening; crossmodal; psychoacoustics; psychophysiology; personality trait; emotion; appraisal; aesthetics; colour; correlation; regression; classification; sonification; Speech and Music Communication; Tal- och musikkommunikation;

    Abstract : This dissertation is about sound in context. Since sensory processing is inherently multimodal, research in sound is necessarily multidisciplinary. The present work has been guided by principles of systematicity, ecological validity, complementarity of  methods, and integration of science and art. READ MORE