Search for dissertations about: "story of film"

Showing result 1 - 5 of 13 swedish dissertations containing the words story of film.

2. 1. Figures of time : on the phenomenology of cinema and temporality

   Author : Malin Wahlberg; Michael Renov; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; film theory; phenomenology; aesthetic theory; temporality; duration; speed; photography; city film; documentary; experimental cinema; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

   Abstract : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. READ MORE

4. 2. Out of Site : Landscape and Cultural Reflexivity in New Hollywood Cinema 1969-1974

   Author : Henrik Gustafsson; Astrid Söderbergh Widding; Asbjørn Grønstad; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; cultural identity; film analysis; film and nation; genre revisionism; intermediality; landscape in art; landscape in cinema; New Hollywood; new realism; nostalgia film; reflexivity; road movies; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

   Abstract : This dissertation examines landscape as a concept for analysis and interpretation in film studies by considering the New Hollywood cinema in the late 1960s and early 1970s. Contextualized within the contested notion of nationhood at the time as well as the concern among filmmakers to probe the properties, practices and traditions of American cinema, this was also a period when landscape underwent widespread redefinition as a field of artistic and academic practice. READ MORE

5. 3. Dreams of a subversive future : sexuality, (hetero)normativity, and queer potential in science fiction film and television

   Author : Josefine Wälivaara; Per Ringby; Christina Svens; Stacey Abbott; Umeå universitet; []
   Keywords : HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Science fiction; film; television; genre; sexuality; queer; storytelling; gender; subversive; intelligibility; Torchwood; Firefly; Star Wars; Star Trek; adult turn; Star’verses; dramaturgy; heteronormativity; film history; Hollywood; Literature; litteraturvetenskap;

   Abstract : The aim of the thesis is to explore depictions of sexuality in popular science fiction film and television through a focus on storytelling, narrative, characters and genre. The thesis analyses science fiction as a film and television genre with a focus on the conventions, interpretations, and definitions of genre as part of larger contexts. READ MORE

6. 4. Moving Images of Literature : Transformations of Literature in Contemporary Video and Film Installation Art

   Author : Tanja von Dahlern; Johan Prof.; Paula Docent; Jesper Olsson; Uppsala universitet; []
   Keywords : HUMANIORA; HUMANITIES; Transformation; Adaptation; Intermediality; Cultural Memory; Video and Film Installation; Literature; Litteraturvetenskap;

   Abstract : This study aims to contribute to a better understanding of the many engagements with literature beyond the literary field. More specifically, it studies different ways of staging and transforming literature in video and film installation since the 1990s. READ MORE

7. 5. Screen play : audiovisual narrative & viewer interaction

   Author : John Alexander; Erik Hedling; Stockholms universitet; []
   Keywords : HUMANIORA; HUMANITIES; Cinema Studies; filmvetenskap;

   Abstract : How does the viewer, interact, with the on-screen narratives of film, television and computer? What new forms of interaction can be realised with the emerging narratives of CD-ROM and Internet?This study considers screen play in terms of the game the viewer plays with audiovisual narrative, and how the viewer negotiates with a story to interpret, revise and reconstruct new stories of their own.Aspects of game and narrative theories, cognitive psychology and phenomenology, as well as recent research in the fields of cinema, television and computer studies, are incorporated within a screen play theory, which positions the viewer both as player and storyteller. READ MORE