Search for dissertations about: "theory of practice"
Showing result 11 - 15 of 1141 swedish dissertations containing the words theory of practice.
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11. Wearing Sound : Foundations of Sonic Design
Abstract : Fashion is primarily a visual ontology consisting of definitions, theory and methods that are based on visual language. This research revises fashion by approaching it from a different—sonic—perspective wherein sound is considered not as a negative aspect but as a potential source of a new theory and facilitator of the evolution of new methods. READ MORE
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12. The Politics of People - Not Just Mangroves and Monkeys : A study of the theory and practice of community-based management of natural resources in Zanzibar
Abstract : Community-based management of natural resource (CBNRM) projects have commonly failed to deliver conservation and development benefits. This thesis examined how the theoretical assumptions of common pool resource (CPR) theory have contributed to the indifferent performance of CBNRM projects. READ MORE
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13. The Discourse and Practice of Constructive Journalism
Abstract : This dissertation critically interrogates constructive journalism for the purposes of developing, enhancing and contextualizing related theory and practice. Constructive journalism is an emerging approach that aims for societal well-being by covering stories about progress, achievement and collaboration as much as stories about devastation, corruption and conflict. READ MORE
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14. Architectural prototypes : modes of design development and architectural practice
Abstract : This licentiate thesis is design driven, partly based on case studies in the form of experimental design projects developed mainly within the research and design collective Krets. It constitutes the first half of a PhD project that studies new technologies and techniques within design processes and the production of architecture, especially in relation to collaborative models. READ MORE
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15. Figures of time : on the phenomenology of cinema and temporality
Abstract : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. READ MORE