Search for dissertations about: "voice-"

Showing result 1 - 5 of 330 swedish dissertations containing the word voice-.

  1. 1. Mapping Individual Voice Quality over the Voice Range : The Measurement Paradigm of the Voice Range Profile

    Author : Peter Pabon; Sten Ternström; Maria Södersten; Ingo Titze; KTH; []
    Keywords : NATURVETENSKAP; NATURAL SCIENCES; Voice Range Profile VRP ; Phonetogram; Voice Field; Voice quality; Singing voice; Voice synthesis; Clinical voice assessment; Sound level measurement; Maximum Entropy; Tal- och musikkommunikation; Speech and Music Communication;

    Abstract : The acoustic signal of voiced sounds has two primary attributes: fundamental frequency and sound level. It has also very many secondary attributes, or ‘voice qualities’, that can be derived from the acoustic signal, in particular from its periodicity and its spectrum. READ MORE

  2. 2. voice under

    Author : Ester Martin Bergsmark; Jenny Sundén; Lina Selander; Susan Winterling; Stockholms konstnärliga högskola; []
    Keywords : HUMANIORA; HUMANITIES; film; cinema; queer; trans; gender studies; transgender studies; voice under; queer and trans cinema; traumaturgy; promiscuous narration; desire; narration without a spine; voice over narration; non-binary; the dildo gaze; something must break; she male snails; fruitcake; instinct; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Konstnärlig doktorsexamen i performativa och mediala praktiker med inriktning i film och media; Konstnärlig doktorsexamen i performativa och mediala praktiker med inriktning i film och media;

    Abstract : If voice over is the superior voice that dictates truth, I examine voice under, the other truths that take place simultaneously. In my doctoral thesis voice under, I explore all the parallel voices beyond the dominating all-knowing voice over. READ MORE

  3. 3. Voice use in teaching environments: Speakers' comfort

    Author : Viveka Lyberg Åhlander; foniatri och audiologi Logopedi; []
    Keywords : MEDICIN OCH HÄLSOVETENSKAP; MEDICAL AND HEALTH SCIENCES; MEDICIN OCH HÄLSOVETENSKAP; MEDICAL AND HEALTH SCIENCES; voice; vocal load; teachers; voice quality; room acoustics; work environment; F0; Sound pressure level; vocal dose; high-speed imaging; voice accumulation;

    Abstract : Teachers have high occupational voice demands and is a group frequently presented at voice clinics. Little is known about the teachers’ own view of the contribution from the environment and about the teachers’ voice use at their work-place. READ MORE

  4. 4. Voice Imitation : A Phonetic Study of Perceptual Illusions and Acoustic Success

    Author : Elisabeth Zetterholm; Allmän språkvetenskap; []
    Keywords : HUMANIORA; HUMANITIES; impersonation; Voice and speech imitation; target voice; individual voice; pitch register; voice quality; prosody; semantic information; phonology; dialect; articulatory timing; speech style; Phonetics; Fonetik; fonologi;

    Abstract : This thesis is about voice imitations, more specifically impersonation. Questions are raised about the uniqueness of a person’s voice and speech behaviour and if it is possible to get close to another speaker’s voice and speech. Four main research questions are investigated in different studies. READ MORE

  5. 5. Are you ready for a wet live-in? : explorations into listening

    Author : Janna Holmstedt; Ylva Gislén; Per Nilsson; Jörgen Dahlqvist; Jesper Olsson; Kristina Lindström; Åsa Ståhl; Umeå universitet; []
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; artistic research; listening; situated practices; sound in art; expanded art; expanded scenography; media ecology; acousmatic orality; a orality; storytelling; interspecies communication; more-than-human relations; co-habitation; sensorial estrangement; posthumanism; parasites; play; technology; dolphins; sonic sensibility; transliteracy; voice; performativity; new materialism; Michel Serres; Karen Barad; John Lilly; oceans; wet live-in; Artistic research; Listening; Situated practices; Sound in art; Expanded art; Expanded scenography; Media ecology; Acousmatic orality; A orality; Storytelling; Interspecies communication; More-than-human relations; Co-habitation; Sensorial estrangement; Posthumanism; Parasites; Play; Technology; Dolphins; Sonic sensibility; Transliteracy; Voice; Performativity; New materialism; Michel Serres; Karen Barad; John Lilly; Oceans; Wet live-in;

    Abstract : Listen. If I ask you to listen, what is it that I ask of you—that you will understand, or perhaps obey? Or is it some sort of readiness that is requested? What occurs with a body in the act of listening? How do sound and voice structure audio-visual-spatial relations in concrete situations?This doctoral thesis in fine arts consists of six artworks and an essay that documents the research process, or rather, acts as a travelogue as it stages and narrates a series of journeys into a predominantly sonic ecology. READ MORE