Search for dissertations about: "with specializations in choreography film and media opera performing arts"

Showing result 1 - 5 of 7 swedish dissertations containing the words with specializations in choreography film and media opera performing arts.

  1. 1. EXPANDED CHOREOGRAPHY Shifting the agency of movement in The Artificial Nature Project and 69 positions

    University dissertation from Stockholm : Stockholms konstnärliga högskola

    Author : Mette Invartsen; Stockholms konstnärliga högskola.; [2016]
    Keywords : HUMANIORA; HUMANITIES; material agency; vibrant matter; sensorial participation; sensorial problems; immersive stage environments; color perception; nonhuman choreography; actants; the Anthropocene; non-subjective performativity; ecology; catastrophe; technological extensions of the body; the triple image; animate inanimate; expression; action; production of affect; evaporation; dissolution and dispersion; poetics; expanded choreography; Sexuality; sexual liberation; the performance history of the 1960s; protest and politics; ‘language choreography’; orality; storytelling; pornography; affect and economy; expression and liberty; immaterial labor; self-experimentation; dance; ‘soft choreography ; social choreography; Koreografi; Dans; Konstnärlig forskning; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Abstract : Through two books and a series of video documentations of live performances Mette Ingvartsen makes choreography into a territory of physical, artistic and social experimentation. The Artificial Nature Series focusses on how relations between human and non-human agency can be explored and reconfigured through choreography. READ MORE

  2. 2. Monsters I Love : On Multivocal Arts

    University dissertation from Stockholm : Stockholms konstnärliga högskola

    Author : Alex Nowitz; Stockholms konstnärliga högskola.; [2019]
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Music; acousmatic and disembodied voice; æsthetics of uncertainty and in-between; composer-performer; contemporary vocal performance art; custom musical instrument DIY ; digital musical instrument DMI ; electronic and electroacoustic music; expanding the field of vocal performance art; extended vocal techniques; extending the voice; gesture-controlled live electronics; improvisation and real-time composition; inclusive vocal performance practises; interactive sound and music; multidirectional listening; multivocality; multivocal voice; new vocality; sampling practises for vocal and musical improvisation; schizophonic practices; sensor-based and computer-based technology; singer-composer; sound art; sound technology; STEIM; strophonion; vocal materiality and liminality; vocal personas; vocal sound dance; wireless technology; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Abstract : Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in the Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts, it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflection and informative threads. READ MORE

  3. 3. From Model to Module: A move towards generative choreography

    University dissertation from Stockholm : KTH Royal Institute of Technology

    Author : Rasmus Ölme; KTH.; Stockholms konstnärliga högskola.; [2014]
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Media Technology; Medieteknik; choreography; module; artistic research; dance technique; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts; Koreografi; Konstnärlig forskning; dansteknik;

    Abstract : The thesis engages in Choreography and Dance Technique by delineating the concepts and practices that the artistic research project MODUL has generated. A modular method of choreographing is articulated. The MODUL method of choreography starts by making a topographical movement analysis of the context that the work engages with. READ MORE

  4. 4. Circoanalysis : Circus, Therapy and Psychoanalysis

    University dissertation from Stockholm : Dans och cirkushögskolan

    Author : John-Paul Zaccarini; Stockholms konstnärliga högskola.; [2013]
    Keywords : HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Circus; Psychoanalysis; Pedagogy; Therapy; Freud; Klein; Winnicott; Lacan; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Abstract : There is an object/artefact of circus and a subject/process that makes it. This research considers the subject of the circus-making in order to bring it to the foreground of future discussions about pedagogy, practice and production. READ MORE

  5. 5. Avhandling / Av_handling (Dissertation / Through_action)

    University dissertation from Stockholm : Stockholm konstnärliga högskola

    Author : Malin Arnell; Stockholms konstnärliga högskola.; [2016]
    Keywords : HUMANIORA; HUMANITIES; duration space-time-language matter ; knowledge production tacit; embodied; experiential ; performance art body art; live art; happenings ; choreography diffractive methods and techniques ; performativity human and non-human agentiality ; embodiment vulnerability; intimacy; force; power ; participation mutual co-constitutiveness ; invitation contractual engagement and accountability ; environment void; fullness ; embodied affinities human and more-than-human ; orientation; posthumanities; agential realism; feminism; artistic research; expositional strategies; enactment re-enactments ; live dissertation through live act ion s ; documentation affective; embodied ; Hannah Arendt; Karen Barad; Gina Pane; YES! Association Föreningen JA!; Duration; Koreografi; Kunskapsproduktion; Performativ konst; Förkroppsligande; Delaktighet; Invitation; Konstnärlig forskning...; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Abstract : If we are being-of-the-world, how can we ever avoid participation? From this question Avhandling / Av_handling (Dissertation / Through_ action) unfolds. It invites to engage in an ongoing continuum of entanglements, where the moment of connection is unavoidable. READ MORE